I see that the collective verdict of this instalment of Clavell's epic saga is rather mixed. To add my own two-penneth I would offer that this is first and foremost a drama set within a highly specific historical context, and one whose main purpose is to illustrate the historical forces in operation at that highly portentous moment. The diplomatic wrangling and the internecine intrigue all take place within a framework that is conditioned by the global sweep of events. The American Civil War, British Sea Power, the Tai-Pai Rebellion on mainland China, shifting fault lines in the European balance of power, plague, famine, and above all the relentless machinations of money and business. All these factors are bought minutely to bare on the fortunes of this small and terribly exposed enclave of European adventurers, that clings to the edge of the alien and implacably hostile world of Shogunate Japan. To my mind the fact that many of the plot threads of the individual characters in the story are left unresolved only serves to highlight the fact that all these people were caught up in a web of forces vastly larger than themselves. All had severely limited choice and scope for action, given the constraints of the times, and the manners and mores imposed by their respective social systems, whether European or Asiatic. Having an interest in the historical developments that unfolded from this era I would even argue that the implicit conclusion of the tale is the Japanese naval victory against the Russian fleet at Tsushima in 1905, which marked the decisive arrival of Japan upon the world stage. Or even the vast misery inflicted by the Japanese adventures first in Korea and then in China and Manchuria that culminated in atomic devastation, and the ultimate defeat of the whole samurai worldview that is elaborated so engagingly in this and its sister novel, Shogun. Indeed, this is history at its most entertaining.
The writing style of Gai-Jin is not great, for which I would consider knocking off a star. I don't remember the writing for Shogun grating quite so often. But it is almost as if there is so much pressure to get the complexities of the plot, and the even greater complexities of the historical background, out onto the page that the quality of writing is reduced to a secondary priority. Considering the density of historical detail that has gone into the creation of this huge, bulging tapestry, I cannot do anything but give it an admiring five stars.