Oh dear. I really didn't like NO FUTURE at all. I didn't find it to be offensively poor, but it tried to do too many different things, and I couldn't make myself care about any of them. A scant few days after reading it, and I simply can't think of much of anything that stuck out in my mind. Everything was so underdeveloped that it just went in my brain and then just went right back out of it. Well, it will make for a short review anyway.
There's so much going on here that it's difficult for me to recall enough about any one particular item to discuss. The book begins with a punk band filled with anarchists, but they (save Danny, who becomes a bit faceless) and the rebellious spirit all but disappear part of the way through. There some interesting stuff done with the UNIT characters, but then they're replaced in favor of the Broadsword division. The Broadsword division is set up in an interesting way, but there simply isn't enough time left to give them the development that they need. NO FUTURE feels like a rough draft, or a brainstorming session.
Interestingly enough, the one thing that the book does spend a lot of time on, Ace's "murderous plans" that the back cover mentions, is actually done extremely well. If there's a single reason to read this book, then it's to see the resolution of several character storylines that had been running through the NAs for quite some time. It's a shame about the rest of the book really. It almost seems as though the entirety of the non-character sequences were written purely to place the Doctor, Ace and Benny into the situations that Cornell wanted them in. When they actually get to those places, the book is great. But the actual plodding around to get to them was too boring and too scattershot to be really enjoyable. It's like taking a long car ride to a wonderful beach in a cramped and smelly automobile, only to arrive half an hour before sunset. The reward at the end of the journey is quite good in itself, just not enough to make up for the problems encountered en route.
It's a pity that so much of the book simply doesn't work. Individually there are a lot of elements that were done better in other Cornell books. The perceived betrayal, the revamp of the Brigadier/UNIT, the interaction between the characters, and the desire to break the rules of society are almost all familiar elements. We know that Cornell can do them better because he either had done them better or would go on to do them better. They just weren't given enough of a chance, so consequently they all seem underdeveloped. Reading other books in the Cornell back-catalog would be a great way to see what he's capable of doing on these same topics. You just won't find that same greatness here.
(Oh, and the cover is hideous. For some reason, everyone except the person I assume to be Benny has weird teddy bear fur sticking out of the top of their heads. I assume that person is Benny purely based on the fact that she's obviously using the force to levitate a can of beer out of the audience. And who can blame her? If I suddenly morphed into Liza Minelli, I think I'd be driven to drink as well.)