There are very few tales of the military SF "status quo" in Further Conflicts. The stories all take explore alternatives to the traditional stories of heroism and glory in SF settings.
The collection kicks off with Dan Abnett's "The Wake". Mr. Abnett has examined military SF from every angle, but this low-tempo, low-key piece came as a surprise. A group of two dozen soldiers await their next assignment at a remote relay station. A popular member of their crew has just been killed in action, so in defiance of all regulations, the team treat themselves to a boozy wake.
The second story in the collection is from The Kitschies & Arthur C. Clarke Award winner, Lauren Beukes. "Unaccounted" features Staff Sergeant Chip Holloway, a soldier of the future in a situation outside the bounds of his training manual. Chip was a military liaison to the ittaca, a race of squishy alien entities - now at war with humanity. The military base is now a prison, largely off the books, and Chip's ambivalence (and occasional admiration) for the ittaca is now officially inappropriate. "Unaccounted" is simply amazing and is worth the price of the book alone.
Gareth Powell's "The New Ships" follows a savvy government operative, Ann, as she works with shadowy powers to avert a future alien attack. Her cousin, Max, has hacked his way into some naughty places, and now the government want him silenced. Ann needs to bring him in before other, rival powers do.
If you've not encountered Kim Lakin-Smith's work before, "The Harvest" provides an excellent, self-contained introduction to her stylish prose. Ms. Lakin-Smith often cites music as an inspiration for her writing and, if you'll forgive the pun, "The Harvest" is distinctly metal. The story takes place in a blighted Wiltshire school. Clouds of acid rain have ruined the surrounding countryside and poisoned the land.
If the previous stories are about more specific horrors of war, "The Harvest" is about a pervasive atmosphere of terror.
"My name is Brian Garlick and I carry an easel into battle." Thus begins Tony Ballantyne's "The War Artist", a very clever, tightly-composed story about an imperialist (US? UK?) army and its occupation of Europe. Following hacker attacks, each European country dissolves into anarchy and ruin. The army comes in to restore order, but then never leaves.
Stephen Palmer's "Brwyder Am Ryddid" fuses fantasy and science fiction to create a bizarre slipstream short. Initially established as a pseudo-medieval minstrel's tale, the story very quickly spins into something much more complex. Duelling narrators compete to tell the (slightly embellished) story of a lover's quarrel in a Shrewsbury inn and an infestation of poisonous hounds. As the tale grows, the elements of the story grow ever more science-fictional, so what starts as a Chaucerian yarn turns into a cyberpunk wrestling match.
Colin Harvey's "Occupation" puts humanity on the back foot. When aliens arrive, the human race is delighted, but the Qell and Nzaghi are displeased with the destruction of "near-sentient" species such as whales and chimpanzees. The aliens' disdain and humanity's violent reaction leads to a short and nasty war. "Occupation" takes place in the aftermath, with the world already reduced to near-barbarism by the loss of its organised infrastructure.
Eric Brown's "The Soul of the Machine" is also a sequel to his story in Conflicts, "Dissimulation Procedure". Like its predecessor, "Soul" is a space opera romp, with Ed, his engineer Karrie and the (foxy) AI, Ella, trying to evade sinister corporate spider-droids. There are laser fights, space chases and attractive robot ladies (I picture them all looking like Winona Ryder in "Alien: Resurrection). Mr. Brown is capable of doing the serious stuff when he wants, but I'm delighted to read his pulp romps as well.
"Extraordinary Rendition", by Steve Longworth, takes place in a Chinese prison... on the moon. Huang, the warden, is leading the interrogation of Li, a valuable political prisoner. It is a battle of wills between masters, as both are the top of their game. The moon makes for an intriguing location, so remote that the two men are the only human beings within hundreds of thousands of miles.
Andy Remic is at his wildest in "Yakker Snak", a dark comedy in the suburbs of the future. Poor Anne tries so hard to be normal, but her neighbours have a) noisy sex and b) noisier dogs. Between the oooh-ing and aaah-ing and YAKKING and SNAKKING, Anne's starting to lose her grip on things. Although the twist ending of "Yakker Snak" introduces a slightly unforeseen element, the real joy of the story is Mr. Remic's rapid-fire pace and attention to dystopian detail.
Philip Palmer's "The Legend of Sharrock" is a companion piece to his recent novel, Hell Ship. Sharrock is a man's-man uber-warrior from his tribe of manly-man warrior-people. The tale is from his point of view, as recited from one warrior to another. Sharrock crawls from one bloody conflict to another, spreading hatred and violence, showering himself in glory and triumph. He is the very picture of barbaric heroism, which makes the story's final twist all the more poignant.
I'm a sucker for a good submarine tale and Adam Roberts' "The Ice Submarine", provides all that and more. The story is set in an alternate present where the nuclear submarines of the Pan-Islamic People's Republic prowl the waters (kinda). The oceans, however, are too well monitored by the Western powers, so the ancient Cold War game of cat-and-mouse has now moved underneath the Antarctic ice.
The final story, Tim Taylor's "Welcome Home, Janissary", is one of the collection's longest. In the far future, humans (natural and augmented) and their alien allies are fighting a war against another alien species while Earth struggles in the grasp of tyranny. Escandala, a slave soldier fights a series of seemingly meaningless battles. She finds it hard to choose a side and is motivated only by loyalty to her youngest son - a son who is rapidly becoming something other to her as his modifications kick in.
Further Conflicts is an outstanding collection - an anthology of some of science fiction's most provocative minds, tackling one of literature's oldest topics.