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This project landed in the lap of Richard Lester, then one of the hottest directors in the world after his success with the Beatles' films. Lester telescoped the material through his own joke-a-second sensibility, and also ripped out some of the songs from Stephen Sondheim's Broadway score. The result is very close to the vaudeville spirit suggested by the title--though anyone with a low tolerance for Zero Mostel's overbearing buffoonery may be in trouble. Oddly enough, amid all the frenzy, Lester creates a grungy, earthy Rome that seems closer to the real thing than countless respectable historical films on the subject. Frankie Howerd, who played Pseudolus on the London stage, kept the tradition going with his Up Pompeii TV series. --Robert Horton
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The location is ancient Rome beautify recreated.
This movie is one of those farces where several overlapping stories are made coherent by one main character Pseudolus (Zero Mostel). He plays a mischievous slave who would do just about anything for his freedom.
Naturally the names reflect the character of the named.
Pseudolus (Zero Mostel) is a slave that wants his freedom at any cost.
Marcus Lycus (Phil Silvers) is in trouble for selling dud eunuchs and dud virgins.
Erronius (Buster Keaton) lost is kids to pirates years ago and is looking for them.
Hero (Michael Crawford) is in love with something called a virgin in the house of Lycus. (A place of dubious reputation).
Hysterium (Jack Gilford) is winsome.
Captain Miles Gloriosus (Leon Greene) is coming to claim his bride.
Somewhere in all this is a gaggle of geese.
If I were to describe all the great actors and plots this review would be pages long. So I will just say that this movie is "Something familiar, something peculiar, something for everyone: a comedy tonight!"
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