This is the third book of Renault's Alexander Trilogy which started with Fire from Heaven and continued with The Persian Boy. It's a difficult book to read as the absence of Alexander, dead in Babylon, is so painful to contemplate, but that's a mark of how involving and real the books are: we really care that this man is dead, and like some of the characters at least, we too are disorientated and don't know how the world is going to continue without him.
It does, of course. But not as it once was: the death of Alexander forces the hands of everyone ever involved with him and the political machinations of his family, friends, enemies and fellow commanders is what this book focuses on. Political, complex and intricate, it yet subtly shows the strength and force of personality of Alexander himself in the very fact of his absence which haunts this book to the end.
A far cry from Manfredi and Pressfield, this is both steeped in an understanding of the ancient sources and yet is an imaginative recreation of a vanished world that belongs uniquely to Renault.