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Fundamentals of Musical Composition [Paperback]

Arnold Schoenberg (Author), Gerald Strang (Editor), Leonard Stein (Editor)
4.3 out of 5 stars  See all reviews (7 customer reviews)
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Book Description

Publication Date: 15 Mar 1999 | ISBN-10: 0571196586 | ISBN-13: 978-0571196586 | Edition: New Ed

Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'.

This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.

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Fundamentals of Musical Composition + Structural Functions of Harmony + The Study of Counterpoint
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Product details

  • Paperback: 240 pages
  • Publisher: Faber and Faber; New Ed edition (15 Mar 1999)
  • Language: English
  • ISBN-10: 0571196586
  • ISBN-13: 978-0571196586
  • Product Dimensions: 1.9 x 15.3 x 23.4 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 64,518 in Books (See Top 100 in Books)

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Product Description

About the Author

Arnold Schoenberg (1874-1951) was an Austrian composer, later moving to the United States, and was leader of the Second Viennese School. In the 1920s, Schoenberg developed the twelve-tone technique, and his approach, both in terms of harmony and development, is among the major landmarks of twentieth-century musical thought. The extraordinary scope of Schoenberg's intelligence, and the often prophetic character of his insights, make his writings on music an indispensable source for anyone interested in the complex history of twentieth-century music.Arnold Schoenberg (1874-1951) was an Austrian composer, later moving to the United States, and was leader of the Second Viennese School. In the 1920s, Schoenberg developed the twelve-tone technique, and his approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought. The extraordinary scope of Schoenberg's intelligence, and the often prophetic character of his insights, make his writings on music an indispensable source for anyone interested in the complex history of 20th century music.

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Customer Reviews

4.3 out of 5 stars
7 reviews
4.3 out of 5 stars
Most Helpful Customer Reviews
50 of 52 people found the following review helpful
5.0 out of 5 stars Thorough and extremely helpful 26 Oct 2001
By A Customer
Format:Paperback
This book is an extremely useful introduction to the techniques of musical composition. It does presuppose a degree of technical knowledge and its usefulness would be improved if it made clear at the outset what level of ability at music theory the student is assumed to have. Nevertheless, Schoenberg's treatment is detailed and thorough, and it contains many helpful examples from musical literature to illustrate points under discussion. I feel that this book is best read alongside other works on musical technique so as to ensure that each section is thoroughly understood. When studied in this way the knowledge and practice gained are invaluable, and I would recommend this book to anyone with a creative instinct.
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24 of 26 people found the following review helpful
4.0 out of 5 stars Excellent introductory material about musical form. 14 Feb 1997
By A Customer
Format:Paperback
This is an excellent book for musicians interested in dabbling in composition. It defines the basic terminology frequently used in composition and discusses the common forms: scherzo, theme and variations, rondo, and sonata-allegro. One of the most important things about this book is probably that it does not focus upon the theoretical aspect of music at all. Experience in harmonic structure is not necessary to read this book, although ability to read music is. Most examples are excerpts from common pre-20th century composers such as Bach, Haydn, Mozart, Beethoven, Brahms, etc.
This book is an essential to any musician's library. Even performers can benefit by understanding the forms common in standard repertoire. However, for someone specifically looking for information about harmonic theory, this book provides very little useful information.
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4 of 5 people found the following review helpful
5.0 out of 5 stars brilliant 23 Feb 2009
By SkinChanger2
Format:Paperback
as with any other textbook written by Schoenberg,this book educates the aspiring musician on technical,philosophical and practical aspects of music.
Contrary to what someone else wrote in some reviews,this book presupposes that the student knows solidly all the foundations of harmony. It's not a book for 'dabbling' in composition,it's a book for composers in the making. It requires careful study and review. An excellent book by a great teacher and innovator of music.
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