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Reviews from: ELLE
SF BAY GUARDIAN
LOS ANGELES TIMES
Female Funnies It's a long way from "Betty and Veronica" to "Slutberger, " but veteran cartoonist Trina Robbins scans a half-century of comics for female readers with zest and aplomb in from "Girls to Grrrlz, " a lively history whose decidedly feminist sensibility does not preclude sardonic affection for the kitschy romance comic books so popular in the 1950s. By the '60s even Marvel's spunky Patsy Walker had become a soap-opera heroine, who "spent much of that decade in tears."
Literary Supplement
by J. Tarin Towers
Once upon a time, every third periodical bought in this country was a comic book. Even if that doesn't surprise you, you may not know that at comics' mid-century heyday, girls bought most of them, or that more comics about you girls were produced than about superheroes or monsters.
From "Girls to Grrrlz: A History of Female Comics from Teens to Zines, " Trina Robbins' meticulously researched history of comic books written for girls and women, is filled with such lore not just about who was buying comics but also about who was starring in them.
What's delightful about Robbins' opinioned history aside from the gorgeous design and tasty art is that it begins in 1941 with Archie, the now 58-year old teenager. Using examples from '40s to the present day, Robbins applauds little-girl heroines, such as Little Lulu, and smirks at strange role models like Tessi the Typist. Robbins's smart and zingy narrative guides us through the ups and downs of girl-centered comics from fashion model and paper doll comics to "true romance" tales.
It's fascinating stuff, and if you're not already a comic-book hound, you may be tempted to become one.
Before comix got all high falutin' and renamed themselves "graphic novels," there was a posse of to-be-reckoned-with women rattling around the scene, giving the Marvel superheroes a run for their money. To be sure they've spannedT
This makes for fairly quick and simple reading under Robbins' pen, although one that could use a great deal more perspective and analysis. She is more interested in documenting the names or artists, and the plotlines of various comics than she is in a broader discussion of what it all means. She does touch on it from time to time, but these are more interjections (often a little whiny in tone) than a coherent theme. As with most Chronicle books, the production (design, layout, color, quality of reproductions) is outstanding. It's a breezy overview of the subject, but hardly a comprehensive history. I also found myself wishing for information on women's comics from other countries, for comparison.
This makes for fairly quick and simple reading under Robbins' pen, although one that could use a great deal more perspective and analysis. She is more interested in documenting the names or artists, and the plotlines of various comics than she is in a broader discussion of what it all means. She does touch on it from time to time, but these are more interjections (often a little whiny in tone) than a coherent theme. As with most Chronicle books, the production (design, layout, color, quality of reproductions) is outstanding. It's a breezy overview of the subject, but hardly a comprehensive history. I also found myself wishing for information on women's comics from other countries, for comparison.
I agree with the Amazon review that states the author suffers from a bit of tunnel vision, but someone who was more periphery probably wouldn't have had the love to put this together.
As the title states, it is a "history of" comics for women so don't expect to see any comics fully reproduced. You will get a timelined commentary that will probably educate even the most knowledgeable comic reader.
Check out what you've been missing in comics for us gals.
One of the best selling points of this book is that it is in full color, on glossy paper. You are definitely getting your money's worth with this book. Enjoy.
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