|
Amazon.co.uk Currency Converter
Amazon.co.uk allows you to pay for your items in your local currency. Restrictions apply. Learn More. |
Product details
|
|
Review From the opening track "Coast To Coast" it's clear that the listener is in for an emotional ride. The track opens with the chaotic sounds of ghostly voices before launching into a breathtaking sonic assault.
"Let's Get Lost" and "Twilight" are sublimely beautiful songs where Smith's voice almost cracks in its fragility. "Burning every bridge that I cross to find some beautiful place to get lost", is sung with heartbreaking poignancy.
The grungey "Strung Out Again" sees the singer in self-loathing mode, whilst "Pretty (Ugly Before)" mixes country-tinged sounds with his trademark stripped-down, lo-fi acoustic style. The powerful "Kings Crossing" is an expose of the music industry with Smith singing of the frustrated fireworks inside his head.
The final track "A Distorted Reality Is Now A Necessity To Be Free" is my favourite on the album. It's a drugged-up symphony, full of disturbing fuzzed up, distorted guitars and strange sonics.
From A Basement On The Hill is possibly one of the saddest records ever made. With songs full of death, drugs, and destruction Smith's lyrics veer from love to loathing and from playful to poisonous at a moments notice. In one barbed aside he can easily switch from passion to vitriol.
Smith's music transcends the bland work of songwriters such as Damien Rice, Ryan Adams and David Gray - there's real emotion here.
On 21 October, 2003 Elliott Smith disappeared into the oblivion that had long threatened to swallow him up when he allegedly took a kitchen knife, and stabbed himself through the heart in one of the most brutal suicides in rock history.
His final album is a masterpiece of raw emotions, sublime melodies, and achingly beautiful lyrics. A fitting epitaph to a musical genius. --Sue Wilkinson
Find more music at the BBC This link will take you off Amazon in a new window
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Having been a huge fan of Elliott Smith since hearing his songs on Good Will Hunting, it's hard to be objective whilst reviewing his swansong in the context of his untimely passing. I'm certainly getting the impression that it's his best work yet. Even more tragic.
The quality and passion of his songwriting remains, as ever, exceptionally high. His ear for a strong melody and interesting chord progressions elevated him way above his contemporaries, though on this release, he seems to have surpassed even his own peaks. A special mention must also be made for his lyrics, which are poetic, evocative and achingly heartfelt.
There's a rawness and emotional snappiness to this album which draws you in immediately on a trip into a troubled and extremely gifted mind. Reference points for comparisons would be The Beatles, Paul Simon, Big Star, Neil Young and Nick Drake. Though Smith paints a beautiful soundscape all of his own on this brilliant album.
Forget my rambling, if you've got a pair of ears and enjoy good music, buy this album with confidence and celebrate the work of an artist who deserves to be greatly missed.
It simply is fantastic. Read more
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|
|
|