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From Agit Prop to Free Space: The Architecture of Cedric Price
 
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From Agit Prop to Free Space: The Architecture of Cedric Price [Illustrated] [Paperback]

Stanley Mathews

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From Agit Prop to Free Space: The Architecture of Cedric Price + Cedric Price: Opera (Architectural Monographs (Paper)) + Cedric Price: Potteries Thinkbelt: SuperCrit #1
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Product details

  • Paperback: 352 pages
  • Publisher: Black Dog Publishing; First edition (31 May 2007)
  • Language English
  • ISBN-10: 1904772528
  • ISBN-13: 978-1904772521
  • Product Dimensions: 24.9 x 18.1 x 2.4 cm
  • Amazon Bestsellers Rank: 233,380 in Books (See Top 100 in Books)

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Stanley Mathews
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Product Description

Review

This book is the best to date and at last does justice to CP. It's a ripping yarn... Thank Cedric for that. --RIBA Journal

This comprehensive and carefully researched study highlights the playful and unconventional approach of visionary architect Cedric Price --A+U Magazine

Product Description

Cedric Price was one of the most visionary architects of the late twentieth century, taking a playful, interactive approach to his projects that was wholly lateral and completely unconventional. From Agit-Prop to Free Space is the first and only authoritative text on the early work of this visionary architect and thinker. Born in 1934 in Staffordshire, Price studied architecture at Cambridge University and then at the Architectural Association, graduating with a diploma in 1957. After working with Maxwell Fry and Denys Lasdun, he founded Cedric Price Architects in 1961 and worked with Lord Snowdon and Frank Newby on the design of the Aviary at London Zoo. It was one of the few buildings designed by Price that was realised in his lifetime; it is the revolutionary nature of his un-built ideas and his ground-breaking, uncompromising thinking that have ensured his iconic status. Price proposed radically new concepts of architecture and redefined the ways in which the architect might enhance human life, extend human potential and promote social change. He perceived architectural possibilities amidst the apparent cultural anarchy of post-war Britain where many pundits and social critics saw only the waning of an old order. Forsaking tradition, he dealt with variable structures, firmly believing in impermanent constructions designed for continual change; that architecture should enable people to think the unthinkable. This book tells the story of Prices architecture, how his thinking expressed the changing character of life and society, and how his work has shaped architectural discourse today. Specifically, From Agit-Prop to Free Space deals with two of Prices major unrealised works: The Fun Palace and The Potteries Thinkbelt. Not buildings in any conventional sense, these two projects were instead socially interactive machines, highly adaptable to the shifting conditions of their time and place. Initiated in 1962, The Fun Palace was perhaps the most innovative and creative proposal for the use of leisure time in post-war England. A collaboration with the avant-garde theatre producer Joan Littlewood, it was conceived as a dynamic and interactive theatre assembled by participant citizens using cranes and prefabricated modules. In his 1966 Potteries Thinkbelt, Price further pursued new architectural ideas in the service of revitalising the failing industrial sector. His proposal transformed the derelict Staffordshire potteries into a realm of higher education, mainly on railway tracks, creating a widespread community of learning and promoting economic growth. From Agit-Prop to Free Space: The Architecture of Cedric Price is an invaluable and entirely original guide to what was a truly epic period in the story of modern architecture. It is the result of extensive research based on vast quantities of unpublished archive material, including letters, memos, notes, drawings and interviews. With previously unpublished illustrations and engaging accessible text, a portrait is painted of a true radical, who overturned conventional ideas of what architecture means, and had a massive impact on architecture across the world from Japanese Metabolism to High-Tech. Stanley Mathews is an architect and professor of architectural history and design at Hobart and William Smith Colleges in New York State. He received his doctorate at Columbia University in 2003, where his pioneering work on Cedric Price, under the direction of advisors Robin Middleton, Kenneth Frampton, and Mary McLeod helped to further establish Prices reputation as a major contributor to contemporary architectural discourse. Supported by the Graham Foundation for Advanced Studies in the Fine Arts.

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Customer Reviews

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Amazon.com:  2 reviews
1 of 1 people found the following review helpful
Great Book - Bad Binding 16 Jun 2011
By Alexander - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
Writing a review for this book is difficult. There are very few truly good books on Cedric Price, whose novel ideas and designs should be a must for today's architectural students, if not people generally interested in revolutionary design, and/or the British cultural scene of the 1960s. Thus, the existence of this book is incredibly welcome, and the content, including rich descriptions of the projects and the culture in which they emerged, is excellent. So, on the one hand, this book is highly recommended.

On the other hand, the publisher used heavy-weight glossy stock for the pages, which makes it difficult to write notes in the substantial margins that they provide, or to mark pages - something that is inevitable if you are using this book for research, rather than pleasure. Furthermore, if you delight in wonderful books (as I do), then it is depressing to find that the combination of heavy-weight paper with poor binding means that by page 30, the book is already falling apart. By the end, it is in a shambles. While this might be an interesting comment on Price's predilection for impermanent structures, as a book lover and a researcher, it is highly problematic. I struggled keeping this book together while reading it.

Advice to the publishers - use thinner, non-glossy stock, well-bound. By amending the pages, in particular, the binding problem will probably be largely fixed, and will provide the reader a better experience. It will also reduce the cost of the book - and since the largest audience for this book might currently be students and researchers, the lowered cost might result in higher yields, via a larger audience.

As it stands, I would recommend the book for its content (which is, in truth, the most important aspect of any book), but I would not recommend the book based on its design, which is poorly realized - something a publisher of books on architecture and design should be radically aware of anyway.
1 of 2 people found the following review helpful
Fabulous topic, but too historical approach 8 Dec 2009
By Vytautas Michelkevicius - Published on Amazon.com
Format:Paperback
The book seems to be very biographical instead of being based on essential keywords. Nevertheless it is valuable and rare material on one of most interesting architectural/social projects of our time.

But the binding is terrificly bad: I haven't finished my reading yet, but the cover is completely teared loose, and the book itself is breaking into quires. Black Dog should have invested more in proper binding rather than choosing that posh paper.

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