Meet the sexy new neighbour, Jerry Dandrige (Colin Farrell). He’s dangerously charming – and utterly lethal. That's because he just happens to be a vampire, and out for blood…buckets of it. After high school senior Charley Brewster (Anton Yelchin) makes the connection between Jerry’s suspicious activity and a steadily rising body count, he vows to end the reign of terror next door. But he can’t do it alone. His only hope is Las Vegas magician / vampire-slayer Peter Vincent (David Tennant). Together, this unlikely duo set out to end Jerry's evil rampage. But Jerry is a ruthless, relentless killer, and he’s not going down without a fight. Get set to sink your teeth into this thrilling re-vamp of the terrifying horror classic. Featuring a star-studded cast and crawling with bonus, Fright Night
will captivate you from the very first bite!
Arriving amid a flurry of dopey sequels and dudes with power tools, 1985's Fright Night
came as a welcome blast of fetid air for the horror genre: an affectionate spoof of classic monster movies that also managed to deliver some genuine scares, as well as a pair of top-notch performances by Chris Sarandon and Roddy McDowall. The 2011 revamp (apologies for the pun) can't boast the same novelty factor, but it does a surprisingly good job at speaking for itself, just the same. Director Craig Gillespie's film follows the same basic blueprint as the original--high-school kid (Anton Yelchin) suspects that his next-door neighbor (Colin Farrell) may be a Creature of the Night, enlists celebrity (David Tennant) for help--but with a number of smart alterations, particularly the decision to move the setting to the desolate outskirts of Vegas, where unexplained disappearances and nocturnal lifestyles are par for the course. (Kudos to cinematographer Javier Aguirresarobe, who gives the nighttime scenes a musty, tangible vibe.) Writer Marti Noxon, a Buffy
vet, keeps the dialogue light, while also delivering some sharp insights about the state of today's Twilight
-savvy teen. (In perhaps the biggest switch from the original, the barely veiled gay subtext has been replaced with a cautionary tale about outgrowing your friends.) On the debit side, Gillespie and Co. can't always replicate their source material's atomic-clock timing, with a few promising scares undone by miscued comic relief. Still, a horror movie ultimately lives or dies by its villain, and Farrell delivers a beaut, as a hilariously type-A vampire who'd rather chug a beer than pose languorously. At a time when the undead are notable mainly for their romanticism and supernatural hair-care prowess, Fright Night
does its best to bring the fangs back into the equation. --Andrew Wright