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Friend Opportunity
 
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Friend Opportunity

~ Deerhoof (Artist)
4.3 out of 5 stars See all reviews (3 customer reviews)

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Buy the MP3 album for £6.99 at the Amazon MP3 Downloads store.


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Product details

  • Audio CD (26 Feb 2007)
  • Number of Discs: 1
  • Label: All Tomorrow's Parties
  • ASIN: B000MGAXY0
  • Other Editions: MP3 Download
  • Average Customer Review: 4.3 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 68,660 in Music (See Bestsellers in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song Title Time Price
Listen  1. The Perfect Me 2:40£0.79
Listen  2. +81 3:03£0.79
Listen  3. Believe E.S.P. 3:07£0.79
Listen  4. The Galaxist 2:40£0.79
Listen  5. Choco Fight 3:01£0.79
Listen  6. Whither The Invisible Birds? 2:11£0.79
Listen  7. Cast Off Crown 2:47£0.79
Listen  8. Kidz Are So Small 1:59£0.79
Listen  9. Matchbook Seeks Maniac 3:23£0.79
Listen10. Look Away11:45£0.79


Product Description

Amazon.co.uk Review
If you've heard Deerhoof's noisier forays, the screaming of Satomi Matsuzaki mixed with their lo-fi-gone-mad sonic sense, then Friend Opportunity is going to sound like radio-ready pop. Rest easy, though: the album's mélange of melody and big riffs doesn't give up much ground. Greg Saunier's drums do jump out, sounding studio-painted in their crispness and deep kick-drum thunderclaps to open the album. And is that a touch of Tony Iommi for a few seconds on "The Galaxist"? Matsuzaki still finds her way to float spaceward, with orchestral washes and synth underscores along for the ride, on "Whither the Invisible Birds?" Then there's more drums, more guitar, all of it pitch-perfectly rendered. It's still fractured, but you won't even cut yourself on the edges while dancing techno to the stripped, jerky beat of "Kidz Are So Small." --Andrew Bartlett

Description
Although Deerhoof famously covered the seemingly uncoverable Shaggs gem "My Pal Foot Foot" early in their career, theiroverall vision has more in common with a different group ofbrilliantly amateurish women: the Raincoats. Now a trio--after the departure of guitarist Chris Cohen--the San Francisco avant-twee stalwarts inherit from the Raincoats not only achildish sweetness and daft charm, but also intricately layered and inspired musicianship. Despite the oddities, Deerhoof are no slouches. FRIEND OPPORTUNITY continues their string of masterpieces--all the more impressive considering the mercurial line-up. Vocalist and bassist Satomi Matsuzaki, guitarist John Dieterich, and Greg Saunier remain the stalwartshere. "The Perfect Me," "+81," and "Matchbook Seeks Maniac"finds them perfecting the Deerhoof brew of stunted, off-kilter pop with bursts of experimentation that always sound organic and wank-free. "Believe ESP" adds elements of Minutemen-style funk into the mix, while "Kidz Are So Small" wraps a meandering Matsuzaki melody around a falling-down-the-stairsdrum track. The album closes with "Look Away," a meditativeepic--both rare qualities in the Deerhoof catalog--that theband nails with heartfelt aplomb.

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Customer Reviews

3 Reviews
5 star:
 (1)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
6 of 8 people found the following review helpful:
4.0 out of 5 stars Friendly opportunities, 3 Feb 2007
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
What can I say about Deerhoof that hasn't already been said? Insane, experimental, catchy, and wildly unpredictable.

And listeners can be reassured that they have definitely not sold out with "Friend Opportunity," their latest collection of completely insane pop-rock. It has a few weak tracks, but some new instrumentation twists keep it sounding fresh.

It opens with a frenetic guitar melody overlaid with ominous-sounding keyboard and a few sweeps of synth. The demented, catchy melody is sprinkled with Satomi Matsuzaki's childlike vocals, as she sings sweetly, "Cry out, cry out... meet me, meet me."

And with a blast of trumpets, they veer into the synth-speckled, rough indie-rock of "+81," before trying out some other styles. Without rhyme or reason, I add. They'll try anything at all: sparkling funk, hard-rock ballads, frantic noiserock, mischievous glitchpop, and a shimmering piano ballad in "Whither the Invisible Birds".

Right up to the twelve-minute finale, the schizophrenic "Look Away" that tries out half a dozen styles, from shoegazer to spacerock. It gets more and more hypnotic as it descends into chaos, before suddenly settling into a soft ballad..

One of the first things to know about Deerhoof is that they have no fixed "sound." Another is that they'll craft a chaotic rock melody out of any sound, and change dramatically if things get too dull. In fact, the only lackluster track here is one that stays too long in one style.

And they're still in fine form, with rapid-fire percussion, staccato piano, twinkly synth, swirling guitars, and what sounds like a mellotron (or an organ?). In fact, all these sounds mesh together with lots of littler sounds -- they will make a guitar melody sparkle with synth, and throw in some blats and cowbells too. It's brilliant.

Matsuzaki has the exact voice you WOULDN'T expect from a band like this -- clear, pure and sweet. I guess it has to be, if she's going to be heard over the music. And though the lyrics are hard to hear, they sound pretty humorous and plasantly unpretentious.

Deerhoof don't disappoint in their ninth album, the wonderful "Friend Opportunity." Completely insane, and very entertaining.
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4.0 out of 5 stars Choo Choo Choo Beep Beep, 18 Mar 2009
By Richard Wiseman (Norwich, England) - See all my reviews
This was my introduction to Deerhoof. It's a stunning album from a band who throw away the rules but still make amazingly accessible music.

Greg Saunier's drumming is breathtaking on the album's openers Perfect Me and +81 - these tracks are worth the asking price alone.

You'll either be enchanted or put off by Satomi's delightfully childlike lyrics and melodies. For me they are charming and unexpected given the nature of the music - the icing on the cake.

If you like this album then try Offend Maggie their 2008 release next.
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0 of 3 people found the following review helpful:
5.0 out of 5 stars By far their best album - I'm addicted, 20 Jun 2007
By J. Farrell "skinnywhiteboy" (UK) - See all my reviews
(REAL NAME)   
I think I'm addicted to Deerhoof. This is their best album in a long line of creativity stretching back to 1994. Imagine...well actually it's pretty difficult to describe their stuff, best to take my word for it and get this record. Just sit down and take a deep breath before pressing 'Play'.

skinnywhiteboy.blog.com
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