- Paperback: 528 pages
- Publisher: Harper Perennial; Reprint edition (Oct 2002)
- Language English
- ISBN-10: 0060085894
- ISBN-13: 978-0060085896
- Product Dimensions: 23.1 x 15.5 x 4.1 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 470,943 in Books (See Top 100 in Books)
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Synopsis
An in-depth biography of Mexican artist Frida Kahlo details her haunting and original painting style, her turbulent marriage to muralist Diego Rivera, her association with communism, and her love of Mexican culture and folklore.
--This text refers to an out of print or unavailable edition of this title.
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THE STORY OF FRIDA KAHLO begins and ends in the same place. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
THE STORY OF FRIDA KAHLO begins and ends in the same place. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback
The are many good books on the market that show some of Frida's best work and many that have a good overview of her life as the daughter of Wilhelm Kahlo and the "on and off wife" of the famous mural painter Diego Rivera.
What sets this book out from the multitude is the attention to detail. There are actual correspondences from and to Frida. Also many things that may be glossed over are covered well enough that you feel you were there.
I originally saw the movie based on this book "Frida" (2002) with Salma Hayek. Many of the references in the movie were not covered even in the extensive commentaries. The book also has the time to cover the background of Frida's parents, grandparents, her friends and their relatives. We know about her trolley accident but not that much about her bout with polio.
The plates, some in color others of monochrome photos are placed on groups but referenced through out the book. Agree the descriptions they can be appreciated for not only themselves but what they meant to Frida and her friends. We also get a small glimpse of Mexico before and after the revolution.
What sets this book out from the multitude is the attention to detail. There are actual correspondences from and to Frida. Also many things that may be glossed over are covered well enough that you feel you were there.
I originally saw the movie based on this book "Frida" (2002) with Salma Hayek. Many of the references in the movie were not covered even in the extensive commentaries. The book also has the time to cover the background of Frida's parents, grandparents, her friends and their relatives. We know about her trolley accident but not that much about her bout with polio.
The plates, some in color others of monochrome photos are placed on groups but referenced through out the book. Agree the descriptions they can be appreciated for not only themselves but what they meant to Frida and her friends. We also get a small glimpse of Mexico before and after the revolution.
Format:Paperback
Bought this as a birthday present for my wife after seeing an exhibition of Frida Kahlo's painting and she loved it -if you're into south american politics, painting and feminism this is the book for you!
Most Helpful Customer Reviews on Amazon.com (beta)
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43 reviews
55 of 56 people found the following review helpful
Stranger than fiction
15 April 1998
Format:Paperback
I once shared a house with many framed posters of paintings of the same woman. She had dark hair, her eyebrows met in the middle, and she was frequently surrounded by monkeys, strange plants, bones and blood. I thought she must be a Mexican actress, and that these were movie posters. But my Latina housemate explained that these fascinating prints were actually paintings -- self-portraits, in fact -- of a Mexicana artist named Frida Kahlo. She loaned me this book to read, and I stayed up all night, and all the next night, hanging with Frida and her horny husband Diego Rivera. When the book ended, I not only cried for her death, but I missed her like a friend. Kahlo, whose degenerative back problems placed her in constant pain, painted herself because, as she said, "I am all alone most of the time." Her style was at once realistic and symbolic; and sometimes she let loose on subjects other then herself, painting a friend's suicide, for instance, or a portrait of a dead neighbor child. She lived in in Mexico during the first half of this century, and, along with her famous husband, rubbed shoulders with movie stars, Communists, art dealers and Leon Trotsky. She was known as a long-suffering wife of a man who had trouble keeping his pants on (but was the most revolutionary artist of his time); a painter; an entertainer; a hostess; bi-sexual; severely physically challenged; a Mexican patriot; she painted (many paintings are reproduced in this book); wrote letters; gave speeches; traveled; and, always, suffered. While this may sound grim, she was dearly beloved and respected in her time, and even moreso now, as much for her colorful lifestyle and outrageous sense of humor as for the truth and drama of her art. This biography is academic enough for the serious historian, and entertaining enough for most adults, particularly those with an interest in art and Mexican culture. Once you "know" Frida, you will never forget her, and here is an excellent introduction to a truly si! ngular artist and woman.
43 of 44 people found the following review helpful
Seminal Study on Enigmatic Personality
18 Nov 2003
Format:Paperback
This is an extremely important, long overdue and commanding work on one of the most significant artistic personalities of the 20th century. The author, Hayden Herrera, is perhaps one of the few best qualified writers to present this indepth, intense penetration into the tumultuous life and work of such a complex figure in the art world. Frida Kahlo, as readers/viewers in the United States by now are aware, created some of the most unconventionally brilliant --even shocking works of arts the world has seen. Herrera's impeccable scholarship and research skills are impressive and at the same time delicately compassionate and vibrant. The movie version, by the way, was wonderful and Salma Hayek was amazing in the lead role. Thank you Hayden; thank you Frida! Absolutely spectacular subject.
Alan Cambeira
Author of AZUCAR! The Story of Sugar (a novel)
48 of 52 people found the following review helpful
The Best Book on Frida Kahlo
17 July 2000
Format:Paperback
One cannot live in the modern world without regularly encountering self-portrait images of the beautiful and tragic Frida Kahlo. Whether on coffee mugs, t-shirts, posters, or Mexican artifacts, Frida's exquisite face with its darkly joined eyebrows and beribboned hair is immediately familiar to most observers, even if they do not know who she was. Yet Frida Kahlo's popularity in the twentieth century can be wholly attributed to her brilliance. Unlike the work of most modern artists, almost all of her 200 paintings depict realist, surrealist, and primitive self-portraits symbolizing the concerns and agonies of her life. Hayden Herrera's fine biography is still, seventeen years after its publication, the champion text on one of the most important, original, and phenomenal painters of our time.
Frida was born in 1910 (the year the Mexican Revolution began)to a Mexican mother and German father in the same cobalt blue house in Coyoacan, a suburb of Mexico City, where she later worked and shared her life with the great muralist Diego Rivera. Ironically, it is the house where her life also ended. Today it is a museum, open to the public and still festooned with her beautiful collections of retablos, pottery, and Mexican folk art. Frida's life was consumed by pain as a result of suffering polio at age 6 and a bus/trolley collision as a teenager when, thrown from the bus, she was gored by a steel rail. Frida spent most years of her life bedridden and in body casts (which she also painted)after some 30 surgeries meant to alleviate her suffering. Throughout her life,and even while prone in a bed with a mirrored canopy, she painted herself because of the focus created by chronic pain and said, "I paint self-portraits because I am so often alone." Her self-portraits suggest deep meanings as her face is always encircled with images derived from her physical and psychological life. The paintings are vibrant and, typical of many of her women contemporaries' works, tiny.
Hayden Herrera's book presents a comprehensive life study of the great artist, incorporating photographs, diaries, letters, painting reproductions, eye witness accounts, and local history and politics in the most readable, enjoyable, intelligent work available. An art historian, Ms. Herrera is thoroughly knowledgeable and writes beautifully, as well. One will be as engrossed by this book as by any great novel. Her work convincingly recreates the scenes from Frida's life and populates them with important contemporaries Frida knew and loved, including Andre Breton, Leon Trotsky, Tina Modotti, Pablo Picasso, and, of course, her own Diego Rivera who called her the greatest painter of our time.
There isn't a more engaging biography available about Frida Kahlo (in second place is Herrera's other text, Frida Kahlo:The Paintings), and one need not be an art student to be enthralled by this work. Ms. Herrera's compassionate, energetic account will capture anyone who wonders just what Frida Kahlo was like--her inspirations, occupations, and truly vivacious approach to her one very painful and amazingly productive life.
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