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French New Wave (Pocket Essentials)
 
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French New Wave (Pocket Essentials) [Paperback]

Chris Wiegand
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Review

"Chris Wiegand writes for Box Office Magazine, The Richmond Review and kamera.co.uk. He is the film editor of getoutthere.bt.com. --This text refers to an out of print or unavailable edition of this title.

Leeds Guide, December, 2001

'Entertaining and highly informative, it is certainly the most instantly accessible work on the subject.' --This text refers to an out of print or unavailable edition of this title.

Crime Time, Number 26, 2002

'Manages, despite its brevity, to be both comprehensive and take a critical viewpoint...A fine study.' --This text refers to an out of print or unavailable edition of this title.

kamera.co.uk

'An excellent primer on the movement.' --This text refers to an out of print or unavailable edition of this title.

Product Description

The directors of the French New Wave were the original film geeks - a collection of celluloid-crazed cinephiles with a background in film criticism and a love for American auteurs. Having spent countless hours slumped in Parisian cinematheques, they armed themselves with handheld cameras, rejected conventions, and successfully moved movies out of the studios and on to the streets at the end of the 1950s. By the mid-1960s, the likes of Jean-Luc Godard, Francois Truffaut and Claude Chabrol had changed the rules of film-making forever, but the movement as such was over. During these key years, the New Wave directors employed experimental techniques to achieve a fresh and invigorating new style of cinema. Borrowing liberally from the varied traditions of film noir, musicals and science fiction, they released a string of innovative and influential pictures, including the classics Le Beau Serge, Jules et Jim and A Bout de Souffle. This Guide reviews and analyses all of the major films in the movement and offers profiles of its principal stars, such as Jean-Paul Belmondo, Anna Karina and Brigitte Bardot. There is also an introductory essay, Making Waves, which examines the social context of the movement in France as well as the directors' considerable influence on later generations of film-makers across the globe. A handy multi-media reference guide at the end of the book points the way towards further New Wave resources.

About the Author

Chris Wiegand writes for Boxoffice Magazine, Film Threat, Crime Time and bbc.co.uk. He is also the author of Federico Fellini: The Complete Films(Taschen).
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