- Hardcover: 445 pages
- Publisher: Jonathan Cape Ltd; First Edition edition (Jun 1969)
- Language English
- ISBN-10: 0224616544
- ISBN-13: 978-0224616546
- Product Dimensions: 19.6 x 14.2 x 4.1 cm
- Average Customer Review: 4.4 out of 5 stars See all reviews (21 customer reviews)
- Amazon Bestsellers Rank: 300,750 in Books (See Top 100 in Books)
The French Lieutenant's Woman (Vintage Classics)
and over one million other books are available for Amazon Kindle .
Learn more
| ||||||||||||||||||||||||||||||||||||||||||
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Plus, get an extra £5 Gift Certificate when you trade in books worth £10 or more before June 30, 2012. Visit the Books Trade-In Store for more details. |
Product details |
More About the Author
Product Description
Review
"* 'Brilliant - an artist of great imaginative power' - Sunday Times * 'A splendid, lucid, profoundly satisfying work of art, a book which I want almost immediately to read again' - New Statesman * 'A brilliant success. It is a passionate piece of writing as well as an immaculate example of storytelling' - Financial Times * 'Compulsively readable' - Irish Times"
--This text refers to the
Paperback
edition.
Book Description
One of 15 limited edition Vintage Future Classics published to celebrate Vintage's 15th birthday. The 15 titles were voted for by reading groups all over the UK as being books that would still be read in 100 years time.
--This text refers to the
Paperback
edition.
Inside This Book
(Learn More)
Browse and search another edition of this book.
Browse and search another edition of this book.
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
Most Helpful Customer Reviews
21 of 22 people found the following review helpful
Format:Paperback
It is all too easy to be transported into the world so vividly created for us by John Fowles, as he details the love affair between Charles Smithson and Sarah Woodruff, whilst simultaneously exposing the hypocracies of Victorian England.
Haunted night and day by the face of 'The French Lieutenant's Woman' (Sarah Woodruff) Charles Smithson struggles to forget her and concede to a life with the entirely more conventional Ernestina Freeman. Theirs is the expected and typical Victorian pairing, but as the action progresses, Charles finds his initial curiosity towards the enigmatic Sarah developing into attraction and eventual desire. In his novel, Fowles powerfully depicts Charles's inner conflict between head and heart, painfully illustrating the consequences of allowing the heart to overrule in such a repressed, hypocritical society.
'The French Lieutenant's Woman', with its convoluted yet innovative narrative structure, use of multiple endings, enigmatic characters and reflexivity does not make for simple reading, but perservere and you will be rewarded. Fowles's gripping tale of illicit love, simmering passions, repressed sexuality and (ultimately) painful rejection is a haunting masterpiece. The characters and their situations will live on in your memory long after you have closed the book. A beautifully evocative, engaging and intruiging novel - this is a modern work of art and must not be missed.
4 of 4 people found the following review helpful
Format:Paperback
The French Lieutenant's Woman at times reads exactly like a Victorian novel; Fowles is able to mimic the style impeccably and I often forgot I was reading a modern piece of writing. However, the text is peppered with dry observations on the characters, the Victorians or the process of writing a story that come from such a modern perspective that they jolted me out of this false sense of period and made me aware of what the author was doing. Fowles has a very knowing, self-conscious narratorial voice in these passages which can put some readers off, particularly as they often interrupt the flow of the story. He does like to draw attention to just how clever he is being, but as I whole-heartedly agree with him it's very difficult to find this an irritating trait. In fact, I thought that Fowles observations and reflections on being Victorian, something obviously impossible in contemporary novels, added an extra layer of richness to the text. He uses the distance and perspective provided by time to make explicit the cultural points of view latent in these Victorian novels and provide commentary on them. I think it's great that he doesn't just write a historical novel butinstead uses a historical style and setting to produce something so lucid and clever.
The story centres around Charles Smithson, who is staying in Lyme Regis visiting his fiancee, Ernestina, prior to their wedding. There he meets Sarah Woodruff, also known as Tragedy or, less kindly, as the French Lieutenant's Woman. As he becomes increasingly fascinated by Sarah he is forced to reexamine his own values as his forthcoming marriage is threatened. Charles is a thoroughly intriguing central character: although not always likeable, he is so open and honest with himself that it is impossible not to sympathise with him as he struggles with doing what is morally right but socially unacceptable. I got the impression that Fowles rather likes him even though he may not approve of him. His `sinister fondness` (p. 17) for spending time in the library, so frowned upon by his uncle, is another trait designed to make him appeal to the reader.
Fowles employs a similar tactic when talking about Sarah and her days at boarding school, designed to make her appeal to the reader and to make her relatable rather than aloof, as she initially appears. I felt I was manipulated into liking her, just as Charles is, while Ernestina on the other hand, the woman with a legitimate claim to affection, is not a sympathetic character at all. She is constantly shown playing games and acting rather than being sincere, a trait which continues even during moments of what should be genuine emotion.
Considering Fowles' frequent interruptions of the narrative and drawing attention to the fictionality of the characters, I was surprised at how invested I was in Charles and Sarah and what happened to them. In this novel, Fowles explicitly states that there is no `real' ending in fiction, just the author making things work out in his own way, yet still I cared about what `really' happened. This year I've discovered that it takes a lot for me to forgive an author messing around with the story: it has to have a point and it has to be well executed. The French Lieutenant's Woman exhibited both of these qualities and so was a fantastic book from beginning to end.
The story centres around Charles Smithson, who is staying in Lyme Regis visiting his fiancee, Ernestina, prior to their wedding. There he meets Sarah Woodruff, also known as Tragedy or, less kindly, as the French Lieutenant's Woman. As he becomes increasingly fascinated by Sarah he is forced to reexamine his own values as his forthcoming marriage is threatened. Charles is a thoroughly intriguing central character: although not always likeable, he is so open and honest with himself that it is impossible not to sympathise with him as he struggles with doing what is morally right but socially unacceptable. I got the impression that Fowles rather likes him even though he may not approve of him. His `sinister fondness` (p. 17) for spending time in the library, so frowned upon by his uncle, is another trait designed to make him appeal to the reader.
Fowles employs a similar tactic when talking about Sarah and her days at boarding school, designed to make her appeal to the reader and to make her relatable rather than aloof, as she initially appears. I felt I was manipulated into liking her, just as Charles is, while Ernestina on the other hand, the woman with a legitimate claim to affection, is not a sympathetic character at all. She is constantly shown playing games and acting rather than being sincere, a trait which continues even during moments of what should be genuine emotion.
Considering Fowles' frequent interruptions of the narrative and drawing attention to the fictionality of the characters, I was surprised at how invested I was in Charles and Sarah and what happened to them. In this novel, Fowles explicitly states that there is no `real' ending in fiction, just the author making things work out in his own way, yet still I cared about what `really' happened. This year I've discovered that it takes a lot for me to forgive an author messing around with the story: it has to have a point and it has to be well executed. The French Lieutenant's Woman exhibited both of these qualities and so was a fantastic book from beginning to end.
2 of 2 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
As fresh and intriguing as on my first reading of this book many years ago. The Victorian age is brilliantly portrayed from the genteel pretensions of Lyme to the rough and tumble of the seedier parts of London. The main characters are strongly portrayed. Would-be paleontologist Charles is from a comfortable upper class background but condescends happily to become engaged to Ernestina who is a pleasant but shallow daughter of a prosperous middle class draper. But into their lives comes Sarah, the enigmatic woman who is rumoured to have been "ruined" by a liaison with French seaman.
Fowles is particularly good on the class war and social mores of the time: The attitude of society to Sarah is shocking as is the off-hand way in which servants are treated. When Ernestina's father suggests that Charles join the drapery business he is truly aghast at the idea even though he has no career in mind.
Sarah remains ambiguous - we are left uncertain as to whether she is manipulative and self-absorbed or badly treated and depressed. Throughout the book she both irritates and evokes our sympathy.
The other central character is the writer himself. He playfully drops in and out of the writing, discussing the motives of the characters and suggesting three different endings. This works superbly. The French Lieutenant's Woman is a twentieth century classic.
Fowles is particularly good on the class war and social mores of the time: The attitude of society to Sarah is shocking as is the off-hand way in which servants are treated. When Ernestina's father suggests that Charles join the drapery business he is truly aghast at the idea even though he has no career in mind.
Sarah remains ambiguous - we are left uncertain as to whether she is manipulative and self-absorbed or badly treated and depressed. Throughout the book she both irritates and evokes our sympathy.
The other central character is the writer himself. He playfully drops in and out of the writing, discussing the motives of the characters and suggesting three different endings. This works superbly. The French Lieutenant's Woman is a twentieth century classic.
Would you like to see more reviews about this item?
Were these reviews helpful?
Let us know
Most Recent Customer Reviews
The French Lieutenant's Woman Book
This book was received very quickly. It is a bit tatty and has a library stamp on the inside cover. I am just hoping it's legit. Read more
Published 4 months ago by barbara
A well-told story in a complex framework
This well-known novel succeeds on several different levels: as an historical novel set in Victorian England; as a commentary on the construction of such novels; and as a commentary... Read more
Published 5 months ago by James
slightly disappointed my high expectations
A novel set in Victorian times, published in 1969, and narrated by an author suffused with mid-20th century ideas. Read more
Published 10 months ago by William Jordan
A book which demands to be re-read
Before Sarah Waters (Fingersmith), Michael Faber (The Crimson Petal and the White) and others, Fowles had already deconstructed the Victorian novel and, arguably, in a far cleverer... Read more
Published 12 months ago by Roman Clodia
Literary love, but not for the faint-hearted.
I can easily see why this is a frequent recommended A Level read - there is layer upon layer to be removed and almost the entire plot seems constructed to provoke fierce debate. Read more
Published 14 months ago by DaisyBelle
The French Lieutenant's Woman
Although I bought this as a second hand book, I was a little disappointed upon its arrival because the first one hundred pages were wet/damp. Read more
Published on 20 Feb 2010 by Spud Forever
Great read
This is an excellent book - a classic for a reason. It's a wonderful insight into Victorian life from the point of view of a more modern author. Read more
Published on 28 Jan 2010 by Snoopy
Get out of the way John, I'm trying to read
I don't usually comment on endings, but here the author himself doesn't seem to have attached narrative importance to it (and I don't give it away in any case)... Read more
Published on 26 Jan 2009 by the antiquary
a difficult book to become absorbed with
I couldn't establish if the author was actually the narrator. There is a point where the narrator describes himself and it matches the picture of the author hence my confusion. Read more
Published on 26 Aug 2008 by SJSmith
a difficult book to become absorbed with
I couldn't establish if the author was actually the narrator. There is a point where the narrator describes himself and it matches the picture of the author hence my confusion. Read more
Published on 26 Aug 2008 by SJSmith
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
![[Start the discussion]](http://g-ecx.images-amazon.com/images/G/02/x-locale/communities/discussion_boards/start-new-discussion-sec._V192198663_.gif){kind=small}
Listmania!
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
