The eleventh and final season of 'Frasier' (tying in longevity with parent sitcom 'Cheers') marks the show's true return to form, set in motion by the average season 10. This can be attributed to the return of writers Joe Keenan and Christopher Lloyd who, individually and together, produced some of the all-time classic episodes in season's 1-7. Both writers bring a real creative force to this final season, and quickly set about dealing with some of the show's most recent problems. The grating Julia Wilcox (Felicity Huffman) is dispatched with early in the season, and the tensions between Frasier and Martin (a core theme of the early seasons) are renewed when father and son battle for the attention of Ronee Lawrence, Frasier's former babysitter. We also see more use of Roz; a better dynamic between Daphne and Niles (Daphne gets to be funny and kooky again!); and, the icing on the cake, the 'return' of Niles' oft-talked about, never-seen ex, Maris Crane.
The drama of past seasons is ditched in favour of fun storylines, and amazingly there are some episodes which can rightly be viewed as 'classic Frasier'. The first is the hilarious 'The Doctor Is Out', featuring Patrick Stewart in a superb performance as Frasier's new 'friend', a gay socialite with designs on the good doctor. Another classic episode is 'High Holidays' that makes excellent use of the main cast, especially John Mahoney as Martin. Versatile 'Roseanne' star Laurie Metcalf appears as Frasier's first wife, the children's entertainer Nanette 'Nanny G' Guzman, in 'Caught In The Act' which never lets up its frantic pace. Special mention must also go to the series finale, 'Goodnight Seattle', which - despite a bloated first half - is one of the best 'finales' you'll see. Many of the show's old favourites - Bebe, Noel, Gil, Kenny - get one last chance to shine in this episode but the true focus is on Frasier, who finally realises how he can be truly happy. The last few minutes of the show, when Frasier says goodbye to his family, friends and listeners, is a tear-jerker, and reminds viewers just what they are about to lose: one of the most intelligent, consistently brilliant comedy series ever produced for television. A few episodes in this final season are far from perfect, and everything ties up too neatly in the finale, but those minor niggles aside: don't miss out on this superb swansong for TV's favourite psychiatrist. Goodnight Seattle, we loved you!