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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Easy to see why it's a classic,
By Elise (Southend on Sea, UK) - See all my reviews
This review is from: Frankenstein [DVD] (DVD)
Frankenstein is so well known that even if you haven't seen the film, you will know the cadaverous image of Boris Karloff as the monster. Karloff as an icon of cinema history is probably why there have been relatively few remakes of the film - you cannot think of anyone who could actually BE the monster.Basically we all know the outline of the story, it has become ingrained in our culture. Henry Frankenstein in convinced that he can create a living being from dead bodies, and does so with the help of an assistant (who surprisingly, for me at least, is called Fritz not Igor in the film - though he is an ugly hunchbacked dwarf). Then, the story goes, the monster goes on a rampage. This, like Igor, is also not fully true, Frankenstein's monster kills Fritz only after being tormented by him, and then inadvertently kills a little girl, who he has been playing with by trying to float her on the lake, the way the two of them have been doing with flowers. We are led to what Mary Shelley wanted us to see, that the monster is an innocent who did not ask Frankenstein to create him, rather than a "real" monster. Generally the creature invites compassion rather than fear, and it is his treatment by others that is the real horror of the film. Karloff's is the really memorable performance of the film. It was made only a few years after the advent of sound and in this film many of the actors are either ex-silent film actors or ex-stage actors. Whatever their background there is a slight tendency to ham things up a little. This is never a big drawback in a horror film, but it is Karloff's understated, silent performance which makes this film a true classic.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
So Much of It Is Timeless,
By A Customer
This review is from: Frankenstein (VHS Tape)
Karloff's performance has gone down as one of the greatest of all time. The scene where he first sees the light is dazzling as he feebly clutches the rays. Dwight Frye is one of the most underrated actors of all time. I am shocked why no one appreciates this genius who is utterly terrifying. Colin Clive is, apart from Claude Rains, the definitive madman. Only Rains' Invisible Man and Rotwang from Metropolis can equal him. The mob at the end of the film is a bit uneven and lets the film drag slightly, but the final scene of the monster pulls it back up. A great film and a great bargain, buy it!
14 of 15 people found the following review helpful:
5.0 out of 5 stars
seventy years on and still solid gold,
By tony mac (Dunfermline) - See all my reviews
This review is from: Frankenstein [DVD] (DVD)
Though inevitably dated and primitive by modern standards, Frankenstein remains a tremendously impressive film and a tribute to its still somewhat under-rated director, the eccentric Englishman James Whale.Where so many early talkies were static and wordy, Frankenstein skips unnecessary dialogue and exposition and drives through its plot at a speed that seems almost indecent nowadays. Compared to overblown remakes like Kenneth Branagh's 1994 version, Whale's work now seems like a masterpiece of brevity and minimalism. His constantly moving camera, incisive editing and dramatic use of close-ups are a mile ahead of anything far more prestigious directors were doing at the time. Expressionist photography and eccentric set designs lend atmosphere, menace and help augment some rather ripe performances; a foretaste of the paths Whale would tread in the sequel Bride of Frankenstein four years later. And then of course there's Karloff. With comparatively few scenes and no dialogue he nonetheless manages to create a complex, intimidating, yet sympathetic creature - one of the great mimes in talking cinema and thanks in no small degree to the freedom given to him under Jack Pierce's iconic make-up. A historic piece of cinema, and one that still stands the test of time as both art and entertainment.
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