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But while perusing these wordless tales (which have been collected from publications ranging from Heavy Metal magazine to The Millennium Whole Earth Catalogue) some things do become clear. For instance, Woodring must be an artist with a direct line to his subconscious; how else to explain the dreamlike intensity of these tales, which communicate through symbols and archetypes? And, as filmmaker Francis Ford Coppola observes in his introduction, even at their most oblique the Frank adventures carry with them "a subtle sense of resolution, letting us now that in Woodring's world the equation has been thoroughly worked out and presented, and that the results are worth understanding".
But The Frank Book can be enjoyed purely on visual terms as well. The high-quality paper enhances the Seattle artist's dazzling use of colour, and his black-and-white work is as marvellous to behold in its own way. On a level of pure imagination, it is hard to think of any creatures as fully formed yet bizarre as those populating this work--oddities like the geometrical Jerry Chickens, the mischief-making, moon-faced Whim and Frank's toaster-shaped companion Pupshaw. To open the book is to step into a universe as thoroughly realised and magical as Oz (although The Frank Book, with its occasional scenes of brutality, may not be suitable for children). As Coppola notes, "The Frank Book is one man's puzzling gift to a puzzling world. It brings a hidden world to light and lets us examine it minutely". As with Chris Ware's Jimmy Corrigan, The Frank Book deserves a place not just on the comic lover's shelf but in the collection of anyone with an appreciation for brilliant visual storytelling. --Shawn Conner, Amazon.ca --This text refers to an out of print or unavailable edition of this title.
FRANK is an odd little fellow: A generic funny animal, a bit like a cat, a bit like a bear, a bit like a chipmunk. He's usually mild mannered and curious, but is capable of great compassion and fits of violent temper.
Frank's world is rich and strange: A wilderness dotted with exotic buildings and very odd creatures, such as the id-driven Manhog, the Jivas (spirit-creatures that look as though they were cut on a lathe), and the menacing, demon-like Whim. It's all very dream-like; sometimes nightmarish, sometimes charming, always intriguing.
Frank's adventures are entirely pantomime, with written words confined to an occasional sign or letter (or ransom note...). They range from one page vignettes ("In the Mood") to epics like "Frank's High Horse" and "Frank's Real Pa." Some ("Frank in the River") are interesting little adventures; some are humorous; a few are terribly disturbing ("The Palace of Horrors").
Most of the strips are in wonderfully elaborate and evocative black-and-white. The color strips appear shockingly lurid in contrast.
I adore FRANK and had no trouble paying for this volume despite owning two previous (and now redundant) collections. But I suspect his adventures may not appeal to everyone. The easily freaked-out may find them positively creepy. A few sample FRANK strips are available on Woodring's website (dub-dub-dub dot jimwoodring dot com); I suggest checking them out before leaping in.
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