- Unknown Binding: 79 pages
- Publisher: Abrams (1959)
- ASIN: B0007E3E98
- Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
- See Complete Table of Contents
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Customer Reviews
Most Helpful Customer Reviews
3 of 4 people found the following review helpful
Format:Paperback
I needed this for a study course. It is reasonably comprehensive about the artist's work, and does what it can with his life, about which little is known. The illustrations are clear, some zoomed into when a feature is being discussed. Good solid introduction to Piero and his art.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
2 reviews
28 of 28 people found the following review helpful
A lavish treatment of a fascinating painter
18 April 2000
Format:Hardcover
Piero's ouevre has never seen such handsome representation in book form. Razor-sharp, large-format illustrations, including details printed at full-bleed on forearm-wide pages, permit intimate inspection of works which even in person can sometimes only be viewed distantly in dim church-light.
Quibbles include some tenuous conjectures about the development of the artist's thinking (which, if the author is taken at face value, includes the Zohar). It's too bad that more progress hadn't been made on the newly-restored Arezzo frescoes at the time of publication. But these aside, this is as definitive and gorgeous of a presentation of Piero as one could fairly ask for. Simply a beautiful book.
2 of 7 people found the following review helpful
Rich in text
23 Feb 2007
Format:Paperback
This book seems to be more for reading than for looking at the art.
While I can't argue with the other reviewers about the writing quality (which they love, and I have yet to get into) I wish there were more images... and more close-ups, to study brushwork (for artists' sake).
At any rate, to be fair, obviously this is not the goal of the author, so oh well... maybe I'll appreciate it more as time goes on.
While I can't argue with the other reviewers about the writing quality (which they love, and I have yet to get into) I wish there were more images... and more close-ups, to study brushwork (for artists' sake).
At any rate, to be fair, obviously this is not the goal of the author, so oh well... maybe I'll appreciate it more as time goes on.
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