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Fragments (Radical Thinkers)
 
 
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Fragments (Radical Thinkers) [Paperback]

Jean Baudrillard
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Product details

  • Paperback: 154 pages
  • Publisher: Verso Books; annotated edition edition (15 Jan 2007)
  • Language English
  • ISBN-10: 1844675734
  • ISBN-13: 978-1844675739
  • Product Dimensions: 19.8 x 13.2 x 1.2 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 187,837 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Jean Baudrillard
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Review

"A sharp-shooting lone-ranger from the post-Marxist left." -New York Times "The most notorious intellectual celebrity to emerge from Paris since Roland Barthes and the most influential prophet of the media since Marshal McLuhan." -i-D magazine "The most important French thinker of the past twenty years." -J.G. Ballard"

Product Description

This third book in the Cool Memories series is culled from Baudrillard's notebooks in the period when he was composing The Illusion of the End and The Perfect Crime.In it, he resumes his investigation of the meta-metaphysics of objects.Like its predecessors, the book is a work of brief meditations, ofpoetic musings: in a word, of fragments.

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Most Helpful Customer Reviews
6 of 13 people found the following review helpful
By A Customer
Format:Paperback
If Jean Baudrillard wrote music it would indeed transcend the musical languages and styles of modernity to popular tex/mex forms,it would have the negativity of Schoenberg mixed with the traditional beauty of Mozart with the energy of Joanie Jett,the subversiveness of The Dead Kennedys and the directness of Sharon Crow;Baudrillard indeed has paid his dues writing from the late Sixties,he also became frustrated when the revolution didn't come as quickly as expected. His work today cuts across many genres. I know painters who don't paint until they read him first. Also philosophers wanting a good time,those who need to escape the stifling air of academia,and the interlocking complexity that can be a part of todays philosophic scene of intertextual interdiscipline without being committed in anyone direction. But to call Baudrillard an compact anarchist would be too cruel his thought has too much discipline of it,although that's how his language comes across. Yet he has a deep-rooted feeling for humanity; he can't quite seem to find a place for its demise. He wants to see something happen,well people still make sex and art,and music. I think behind all the dark-edged pessimism that emanates from his sentence constructions there is a need to emote, Baudrillard is a new genre artist,there is no label yet for who he is like Hannible Lecter. For instance on politics,"There is no need to attack politicians. They are engaged in spontaneous self-destruction. You simply have to be firm about not going to their aid." Baudrillard has seen and will seen things going,jettisoning down the tubes for some time to come. And that's why we need him. He has a gift for picking the smallest nuance of reality, the tiniest particle of the life-world as a means toward whatever is larger. A political system and institution. We find value in the fragments,Wittgenstein said this of God: I always find other things in Baudrillard than what he means. Like danger zones, like tripping over a cliff,The beauty in a Chicago ho! t-dog,yet it can kill you. "In Amazonia,certain butterflies simulate the markings of their poisonous fellows to protect themselves. When you have the good fortune to be poisonous,you have to use deception." Since the world has long stood on its philosophic head(Hegel/Marx), we can find comfort in being "Other" or so it seems. To be outcast is cool soemtimes, it doesn't help pay any bills,you need to be a Derridean for that to find a normative world. To Baudrillard all culture is worth the trip to understand it. Although you feel his European roots all the time, with the heavies he introduces us to Canetti,Pessoa. He always speaks within eye-shot of a monument. Years of theory does that to you. And he searches the mysteries of expression,from one fountain head one manifold source,culture going over Niagara Falls,expression teeming with amoeba,paramecium. He also is/was the first to speak on postmodernity,another stick in the side of art. In fact we owe a debt to him for taking the rigours of the postmodernist credo to a new level of cognition. Composers would never have been able to distinguish five strains of tango without it. He finds meaning in anything today,antique sales in Pennsylvania Even pornography has a double meaning. The skinny porno-queen blond who ran for the Italian Pariliament, (La Cicciolina),she married Jeff Koons who also accelerated the postmodern language to its head,carnal ectoplasm. Baudrillard speaks of the ends of things. And since we are at the end of languages,styles,meanings,subjects and objects,we are at the beginning of them as well. Too bad Baudrillard can't give us any third base guidance. Well who can? I hear he lectures at UCLA today. But I love Baudrillard because he looks for meaning anywhere. In Egyptian pyramids(ultimate space) inside,in a hermit's life,in boredom, in Andy Warhohl,in the scar on a womens face,which lends her all her charm. I think Baudrillard's next zone should be on the mystery of women throughout the ages. "Not to think any! more. To be like a dog. To be in one's head like a dog in a kennel." After you read Baudrillard you can get high from the Los Angeles Yellow Pages. He can also look beyond his own coffe-table, The French conceit that Chernobyl didn't cross to Paris,1,000 French impervious to Russian fission. Of course the dark side to all this is that Baudrillard sees us as all in a zoo,that we all have basic fatal attraction instincts that can put the rabbit into boiling water faster than the anyone.
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1 of 4 people found the following review helpful
By A Customer
Format:Paperback
not the best introduction to Baudrillard but once you've become a disiple.... nice readable inspiring chunks for those of us too busy to read theory all the time but wish to think....

Baudrillard embraces theory as art and art as theory.

We are all free:free to project one's desires onto produced goods. ha de ha ha

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9 of 13 people found the following review helpful
liberating,violin in water,colour in a hot-dog sexectoplasm 4 July 1998
By A Customer - Published on Amazon.com
Format:Paperback
If Jean Baudrillard wrote music it would indeed transcend the musical languages and styles of modernity to popular tex/mex forms,it would have the negativity of Schoenberg mixed with the traditional beauty of Mozart with the energy of Joanie Jett,the subversiveness of The Dead Kennedys and the directness of Sharon Crow;Baudrillard indeed has paid his dues writing from the late Sixties,he also became frustrated when the revolution didn't come as quickly as expected. His work today cuts across many genres. I know painters who don't paint until they read him first. Also philosophers wanting a good time,those who need to escape the stifling air of academia,and the interlocking complexity that can be a part of todays philosophic scene of intertextual interdiscipline without being committed in anyone direction. But to call Baudrillard an compact anarchist would be too cruel his thought has too much discipline of it,although that's how his language comes across. Yet he has a deep-rooted feeling for humanity; he can't quite seem to find a place for its demise. He wants to see something happen,well people still make sex and art,and music. I think behind all the dark-edged pessimism that emanates from his sentence constructions there is a need to emote, Baudrillard is a new genre artist,there is no label yet for who he is like Hannible Lecter. For instance on politics,"There is no need to attack politicians. They are engaged in spontaneous self-destruction. You simply have to be firm about not going to their aid." Baudrillard has seen and will seen things going,jettisoning down the tubes for some time to come. And that's why we need him. He has a gift for picking the smallest nuance of reality, the tiniest particle of the life-world as a means toward whatever is larger. A political system and institution. We find value in the fragments,Wittgenstein said this of God: I always find other things in Baudrillard than what he means. Like danger zones, like tripping over a cliff,The beauty in a Chicago ho! t-dog,yet it can kill you. "In Amazonia,certain butterflies simulate the markings of their poisonous fellows to protect themselves. When you have the good fortune to be poisonous,you have to use deception." Since the world has long stood on its philosophic head(Hegel/Marx), we can find comfort in being "Other" or so it seems. To be outcast is cool soemtimes, it doesn't help pay any bills,you need to be a Derridean for that to find a normative world. To Baudrillard all culture is worth the trip to understand it. Although you feel his European roots all the time, with the heavies he introduces us to Canetti,Pessoa. He always speaks within eye-shot of a monument. Years of theory does that to you. And he searches the mysteries of expression,from one fountain head one manifold source,culture going over Niagara Falls,expression teeming with amoeba,paramecium. He also is/was the first to speak on postmodernity,another stick in the side of art. In fact we owe a debt to him for taking the rigours of the postmodernist credo to a new level of cognition. Composers would never have been able to distinguish five strains of tango without it. He finds meaning in anything today,antique sales in Pennsylvania Even pornography has a double meaning. The skinny porno-queen blond who ran for the Italian Pariliament, (La Cicciolina),she married Jeff Koons who also accelerated the postmodern language to its head,carnal ectoplasm. Baudrillard speaks of the ends of things. And since we are at the end of languages,styles,meanings,subjects and objects,we are at the beginning of them as well. Too bad Baudrillard can't give us any third base guidance. Well who can? I hear he lectures at UCLA today. But I love Baudrillard because he looks for meaning anywhere. In Egyptian pyramids(ultimate space) inside,in a hermit's life,in boredom, in Andy Warhohl,in the scar on a womens face,which lends her all her charm. I think Baudrillard's next zone should be on the mystery of women throughout the ages. "Not to think any! more. To be like a dog. To be in one's head like a dog in a kennel." After you read Baudrillard you can get high from the Los Angeles Yellow Pages. He can also look beyond his own coffe-table, The French conceit that Chernobyl didn't cross to Paris,1,000 French impervious to Russian fission. Of course the dark side to all this is that Baudrillard sees us as all in a zoo,that we all have basic fatal attraction instincts that can put the rabbit into boiling water faster than the anyone.
4 of 7 people found the following review helpful
Baudrillard's Table Talk--Under the Salt 8 Mar 2005
By Kevin Killian - Published on Amazon.com
Format:Paperback
"The fragment has its ideal" -- R. Barthes.

It's a little expensive for such a slim book, but it's so dense you wouldn't really want it any longer. FRAGMENTS is a very overdetermined word, too, it makes you wonder why, after Kierkegaard and Barthes and all the other writers who used the word so precisely, if Baudrillard sanctions its use or is it a "clever" device of the translator?

He's constantly fascinating, and quite a conversationalist, not a dull sentence in the book. Did you know that in Japanese there is no word for "the subject," nor for 'the universal,' nor again for "communication" itself? It makes you realize with a start that if one's vocabulary is shaped with some words and not others, than one's conceptual limits will be quite different than someone else with a different language, where perhaps there are three hundred words for rice--or love.

Ha, it's funny how Jean and Francois put down America for producing novels that last for manybe a thousand pages. This is hypertrophy they say, linking it to America's search for empire and planet glory. Well I have read some baggy monsters originated in France too. Then he (Jean) will turn around and praise something like Abbott's wonderful FLATLAND, and we see that nothing artificially determined sways his likes and dislikes, and that for Baudrillard, cities and cultures alike are controlled by language, borders, and the shock troops that keep us all from understanding one another. He follows Abbott in seeing God as an intuition, a vanishing point, very much as Antonioni found God in the American desert in Zabriskie Point. These European intellectuals with their quite touching view of the American West.
0 of 3 people found the following review helpful
interesting 1 April 2010
By GSI - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
i saw this book on my teacher's desk, so i bought it. i must say, as much as i like to philosophize, a lot of this was way over my head. but, on some pages, i found certain paragraphs that hit the spot.
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