Amazon.co.uk Review
In which Clapham's dreamiest, downbeatiest, de-loveliest trio takes it uptown, takes it to the bridge, and even--on the phatter-than-phat "In The Hands Of The Gods"--takes it over to Biz Markie's house. If you aren't frightened of sudden bursts of extroversion or a whiff of the mainstream any more than those stray dismissals of Morcheeba's oeuvre as "coffeetablist" put you off, you're in for a treat. Albeit a more in-your-face variety than that of luscious predecessor
Big Calm, which sold sneaky, word-of-mouth millions while still seeming like an irresistibly hoarded secret between you, Paul Edwards' turntables, brother Ross' sleepy slide guitar and Skye Edwards' mouth-watering voice. Fortunately, there's enough pop here for everyone to take a bite: bright, radio-friendly gospel choruses ("Rome Wasn't Built In A Day"), shameless disco strings ("Shallow End"), wickedly itchy grooves and Chic-style struts ("Be Yourself", "Let It Go"). Melancholics will doubtless prefer the hazily elegiac title track and hypnotic "World Looking In", but the album's real highlights radiate pure exuberance instead. And judging from the Grandmaster Flash-ised roller-rink glee of "Love Sweet Love", or Skye and rapper Bahamadia biggin' up the ladies in "Good Girl Down", rest assured that if any coffee tables were involved in the production of this recording, they were treated with a complete lack of respect. --
Jennifer Nine
Description
Morcheeba's newest album seems a willful attempt to drop the band's trip hop tag. FRAGMENTS OF FREEDOM is even more brazenly pop-oriented than its previous effort, BIG CALM. Expanding on that album's eclectic genre mixing and pop music polish, FRAGMENTS places even more emphasis on crafting gorgeous pop songs with an ear toward the idiosyncratic.
Morcheeba combines pop songwriting with an affinity for the upbeat horn arrangements of classic soul labels such as Stax, and alove of soundtracks and twisted synth noises. The track "Rome Wasn't Built in a Day", merges vocalist Skye's confident,soaring voice with triumphant horns and an upbeat rhythm. The production, while polished, maintains some of the rough edges of the band's previous efforts. Many of the songs showcase Morcheeba's affection for old school hip-hop rhythms andscratching, as shown by the two tracks featuring rappers Mr. Complex and Biz Markie. Markie's cameo on "In the Hands ofthe Gods" is a highlight, featuring his trademark human beatbox over a lazy funk groove. FRAGMENTS OF FREEDOM is Morcheeba's most accessible album to date.