- Hardcover: 246 pages
- Publisher: Dobson Books Ltd (29 Dec 1972)
- Language English
- ISBN-10: 0234776536
- ISBN-13: 978-0234776537
- Product Dimensions: 19.8 x 13.2 x 2.6 cm
- Amazon Bestsellers Rank: 1,597,264 in Books (See Top 100 in Books)
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4 reviews
30 of 30 people found the following review helpful
"There is also the danger of serpents"
23 Nov 2002
Format:Paperback
An incidental remark about allegories reminded me of this little volume by R.A. Lafferty. In many ways, I think it is his finest, although all of his efforts are remarkable. Whatever your preference, 'Fourth Mansions' remains the most unusual of its genre, an allegory that refuses to take itself seriously.
When Freddy Foley, newspaperman and innocent, discovers that certain people seem to reappear at irregular intervals he insists on investigating and soon finds himself hip deep in a metaphysical odyssey. He discovers that there is not one, but four separate subcultures that share the world with humanity. The best of these are the badgers that guard the entrances of the human domain. The worst are the toads, the ones who sleep and are reborn. These are dedicated to keeping the world from evolving to the next level. Every time things get better they make sure they really get worse.
Then there are the snakes whose wild mental energy runs out of control. For them the rest of us are toys to play with, energy to use up. Finally, there are the unfledged falcons. Well intentioned, they are the premature warriors, champions of violent solutions. Best to worst they spell little good for Freddy, whose truth seeking will lead him to the tops of mountains and the cells of asylums. 'Goof gloriously,' the snakes order poor Freddy, and so he does.
Lafferty performs an unexpected deconstruction of the mythology of man's progress, and creates an entirely unique narrative for inner progress. Foley is Everyman (Foley = The Fool) on a journey towards a higher plane of being, impeded by creatures that symbolize his own weaknesses. The tale is told tongue-in-cheek, a burlesque parody of one pilgrim's progress. Filled with more mad characters than all of 'Canterbury Tales,' the reader is often left unsure whether to laugh or take notes.
Of course, this is the great flaw of allegory; it never loses the taint of lecture. Plot serves message unforgivingly. 'Fourth Mansions' is only partly fiction as we progress from lesson to lesson. The good news is that Lafferty refuses to fall into the trap of being tedious, and, instead, allows the allegory to parody itself. Still, this is unusual entertainment, and not meant for everyone. Full of mind games and obscure symbolism made garish, it is a child of the late 60's, although I think it's intent is more valid now then it was then. Nowadays I sometimes wonder if the toads have managed to win after all.
22 of 23 people found the following review helpful
Fourth Mansions reveals Lafferty at the top of his form.
28 Sep 1999
Format:Paperback
One of the quirkiest science fiction novels ever written, Fourth Mansions reveals Lafferty's story-telling prowess in novel-length form. This is the timeless tale of reporter Freddy Foley, in a way a strange sort of Everyman, on the trail of things that ought not to be known. And they will not be known if a shadowy group called the Returnees have their way. Foley's misadventures lead him to a tangled web of bored suburbanites who concoct a mindweave to snare unsupecting souls. When the weave takes on a life of its own, demanding ever bloodier sacrifice, Foley is drawn toward a meeting with destiny that will take him into the secret world of the Returnees. Along with Past Master, Arrive at Easterwine, and Annals of Klepsis, I rate this book among Lafferty's best, and reread it often to remind myself that no matter how odd the world gets, it doesn't get odder than Lafferty.
10 of 11 people found the following review helpful
Lafferty's Masterpiece
22 Feb 2007
Format:Paperback
R. A. Lafferty writes like Schrodinger theorizes. FOURTH MANSIONS is perhaps the greatest novel-length work by Lafferty. Lafferty gives the impression of a sort of bumbling, provincial rube, but underneath the strategic humility is a steel-trap mind and a terrifying erudition. Lafferty seems to know everything there is to know, and he'll mention it all offhandedly. He also casually and constantly throws off words that have me scrambling for the dictionary-- but they aren't pretentious, five dollar words, they're usually gorgeous, old, almost forgotten slang terms. Lafferty was an electrical engineer who started writing at a rather advanced age. I am convinced that in his technical work he must have been involved in some pretty otherworldly stuff-- maybe he took a couple rides with Otis T. Carr or something. Unbelievably brilliant, but if you don't know what you're looking at, or if you don't have a capacious American-style sense of humor, you might not get it.
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