Place "Little, Big" away on some high shelf of literary magic; perhaps put "Aegypt" there as well. Then dash for a copy of Crowley's "Four Freedoms" ... and let him bury you in a history (his own) of WWII, and the real lives (his own creations) of characters who lived, worked and grew and changed in a bomber-building community in an almost-real Oklahoma. This is Crowley's finest novel.
Roosevelt's "Four Freedoms" speech of 1941 with its: 1. Freedom of speech and expression 2. Freedom of religion 3. Freedom from want 4. Freedom from fear ... may underlie the targets towards which Crowley's characters reach, but the personal problems that each of the so-sharply described women bring to the story -- and the crippled Prosper Olander, in braces like Roosevelt, who loves and befriends each in his own innocent way -- will grab the reader with the intimacies of their stories and how they live in the confines that the War forces on them -- while Prosper must deal with the stringencies of being "crippled" during that time of no ADA, but free to share the beds, the perplexities, the successes of these women-in-wartime with whom it is so easy to relate.
Crowley has always been able to create women characters at their fullest. That is especially true in this novel, and it is a special treat that he is able also to feature Prosper, this man with useless legs, who does not dilly dally like Pierce in the Aegypt series (who is never certain what he is doing) but almost through the magic of his braces slips into the most detailed sexual relations (that Crowley has ever written) with the women characters, into their confidences, and the lives of Crowley's other fully realized characters, and help move them on through the demands of the War and their personal dilemmas.
A novel too rich to dissect, superbly written, Crowley does not completely abandon the "magic" in which he has generally infused his novels. In this case, there is a more general, if subtle, infusion of American popular culture into the story, especially images of iconic figures from the comics, that serves to help relate and enlarge events and characters into the real world of 1941 that many of us knew ... and that ultimately forces the reader, with reluctance to give up the story, towards those words that must close any tale, movie, fascination.
Such richness. Such satisfaction. This is a wonderful novel.