57 of 59 people found the following review helpful:
4.0 out of 5 stars
Unique & Visionary, 5 Jun 2007
There were as many detractors as those appluading this film on it's release, but you can't please everyone. This film is cut from an entirely different cloth than most of the Hollywood dross out there these days, and shows a certain level of forward thinking from Warners to stick by Aronofsky and his vision for the film. What we get is a tight, well acted piece of filmaking which literally glows and radiates an intense passion throughout the 90min screentime. It may be too open ended for most cineplex viewers, requiring a leap of imagination to absorb the tryptich of narrative as the film jumps between 3 timelines: Past, Present, Future, but for those of us prepared to invest something into the experience( and leave all that 21st century cynicism/ negativity at the door) you'll be rewarded with a beautiful, emotive, intelligent film that leaves you wanting more.
Everyone will have their own take on what the film actually means, and where and when the final timeline actually takes place? but that is the beauty of this film, it makes you think, about yourself, your loved ones and our place in the universe. If only more films did this the world could be a better place.
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60 of 65 people found the following review helpful:
5.0 out of 5 stars
You won't see a more beautiful film all year, 9 Jun 2007
After a long wait, complete with the projects being stopped in its tracks once already, The Fountain finally reached our screens to an occasionally perplexed and/or apathetic audience on one hand, on the other to an audience that it struck an emotional chord with.
I fall into the latter, if you hadn't guessed.
This was always going to be Darren Aronofsky's difficult third movie following the mind-melting Pi and the emotional assault & battery of Requiem for a Dream, but he pulls it off with an intimate, heartbreaking story that happens to span 1000 years, only it doesn't once you think about it.
The three narrative threads (Tommy in the modern day, Tomas the Conquistador, and Tom the spaceman) may appear to jar, but they all fit into the story - not the story of the film, but the book that Tommy's dying wife Izzy is writing as her brain tumour threatens to overcome her once and for all.
The Fountain has an air of sadness that seeps from the screen: the repeated motif of Izzy asking Tommy to take a walk with her in the snow plays time and again, and takes on sadder connotations every time, while the Tommy/Tomas/Tom character(s) all face an impossible task in trying to prevent natural following it's inevitable course towards death, and how man is unable to prevent the people he loves succumbing to fate. One scene sees Tommy completely numb by bad news, walking down a street and unable to take in what's going on around him (passers-by, traffic, construction works) and we don't hear a thing until he's almost hit by a car.
As always, Aronofsky can create stunning images on screen, and as always accompanied by Clint Mansell's intimate, stripped-back score that enhances the events and the feeling of loss that is preparing to come to the fore upon all three variations of Hugh Jackman's lead character. Indeed, even when he succeeds, it ends up hurting him as he just prolonged the inevitable until it could hurt him once more.
It may not be a Friday night popcorn movie by any means, but it is a one of the finest pieces of filmmaking of recent years, and more proof that Darren Aronofsky is an underrated director that is capable of creating cinematic genius out of the meanest of circumstances, and is a film that you should see.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Marmite film, 20 Dec 2009
I was seriously impacted by this film! When I saw this film in the cinema I walked out blinking, not quite sure what had happened and I knew some how I had missed the whole film! So upon release I watched it again, then again, and once 2 times on one day, getting a complete difference of viewpoint and reaction completely! I was fascinated by this, some friends who saw it reacted like it was some trash Lady Ga Ga would pump out, others had profound reactions from it, never in the middle! The music, the ending build up! I needlessly go onto the film website where they have captured those emotional points.
Some said the end was sad, others said it was profound with the relisations of todays culture how " Death is a disease lets stop it" and " Death is the road to AWE" the very duality of this film! Thats reflects usually the reaction of the people too, the ones who enjoy the disease perspective were usually the ones that hated, disliked, or didn't get the film!
The extras on this film are brilliant, the closing down of the studios of its original production then huge downsizing or the story and script to get it made. The 3 different times in the making and on some of the dvds there isn't the interview done by Rachel Weiss to Hugh Jackman which is very interesting indeed!
The soundtrack also has the haunting emotional Philip Glass-like hypnotic effect that is only as clint mansell can do.
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