Amazon.co.uk Review
This is the first instalment of The Second Foundation Trilogy, based on Isaac Asimov's famous Foundation series. Acclaimed hard science fiction writers Gregory Benford, David Brin and Greg Bear will each produce a work for the trilogy. Benford kicks off exploring the beginnings of the Foundation itself and its creator, Hari Seldon. Seldon is working on a project to ease the inevitable collapse of the universe- spanning Empire and the Dark Ages that will ensue. But the current emperor has other plans, like appointing Seldon first minister and thus thrusting him into a world of political intrigues and assassination attempts that ultimately will bring him up against future history's greatest threat.
Review
Benford's previous output includes a sequel to a story written by Arthur C. Clarke (Beyond the Fall of Night, 1990). Here, he inaugurates a trilogy (subsequent authors will be Greg Bear and David Brin) that will form a quasi-sequel to the late Isaac Asimov's famous Foundation series (Forward the Foundation, 1993, etc.) about "psycho-history," the mathematical modeling of human behavior, and the fall of a far-future galactic empire. The mathematician Haft Seldon is first in line to be appointed First Minister by Emperor Cleon, even though his psychohistorical theories remain incomplete; Hari's meager political skills will be boosted by the secret efforts of the immortal robot, Daneel Olivaw, and Hari's wife, Dots Vanabili - another robot! The slippery and ruthless Betan Lamurk, however, a rival candidate for the office, will stop at nothing to oust Haft. Additional complications arise when a couple of electronically reconstituted personalities, Voltaire and Joan of Arc, escape into planet Trantor's computer network; the "tiktoks" or subintelligent machines stage a revolt; and some ancient disembodied computer-entities, blaming robots for the destruction of their machine-civilization, seek revenge. Sometimes needlessly and annoyingly meddlesome, but yet another curious blend of reinventions and retrospective criticism, intriguing and engrossing when Benford extends and embellishes Asimov's vision. (Kirkus Reviews)
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