As a student of English Literature, it has been my sad expereince, whilst the reading of primary texts can often be enjoyable, reading secondary "critical" or "theroritcal" texts rarely matches this pleasure. Alison Light's Forever England is an exception to this rule-of-thumb: a study of critically neglected,'middlebrow' writers between the wars (including Daphne du Maurier, Agatha Christie, and Ivy Compton-Burnett), Forever England is an engaging, beautifully crafted, lively study of this rather "frowned upon" (at least by fusty, old, almost fossilised professors) area of literary study. In particular, I very much enjoyed (and agree with) Light's challanging to the society's inccorect homogonisising of Christie's work into a palid, "timeless mulch" representative of the interwar years, when, indeed, her work changes and devlopes enormously from the 1920s-1970s.
Overall, simnply a pleasure to read!