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...Well Cat Stevens did just that. He'd lived with his acoustic style of music for three years, and through four albums, Mona Bone, Teaser, Tillerman and Catchbull. So, Can you blame him for wanting a complete change. The last thing a (creative) musician wants to do is tie themselves down to a particular style of music, which is where 'Foreigner' comes in.
'Foreigner' to me is Cat Stevens best album, for three reasons, firstly it was he most personal, he said this himself, and you can hear it in his wails and cries in the epic 18 minutes opening track. Secondly he dared to go against the grain, do something completely new to him, with new musicians and an a new frame of mind, an open mind. And last but not least, it was musically challenging, to him at least. This was Cat Stevens turning point. Foreigner told the world 'You don't know me'. And at the same time it exposed him more than ever.
The first half of the album (the original LP side 1) is occupied by the 18 minute 'Foreigner suite', which is one continuous musical piece essentially comprising variations on three undistinguished songs, with short musical interludes. The title 'Foreigner' seems to have no relevance to the lyrical content of the suite, and the whole concept is in reality much more lightweight than its title and length suggest.
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