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Crichton injects some melodrama into proceedings--one of the principal characters dies at the end--but his close ups of nervous faces and effects shots of exploding ships and planes exist simply to enhance the documentary aspect of the story. Actors and dialogue take second place to the depiction of what was, at the time of filming, an important part of the war effort. "Of course, the RMLs have got that pom-pom on the foc'sle," comments Murray matter-of-factly amid a barrage of similar naval jargon. Looking back on it now, For Those in Peril should not be considered a movie as such, more a fascinating historical account of the dark days of war in the English Channel. --Mark Walker
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