Gardner's 2nd Bond book was the first of his that I read and I've always been tempted to suggest that others do the same. His 1st
Licence Renewed was a solid start but it's here that he really gets going. In fact, he even seems to overtly tackle some criticism of that book whilst raising his game.
Story: 9/10. The strong plot sees Bond on the trail of a reborn SPECTRE, this time intent on destroying 007 and hijacking weapons satelites. The latter gambit would find its way into the films- as would the hotel lift business, where there's admittedly a lull for a while (Bond in disguise never works). Moreover, Gardner introduces narrative devices of his own: taking two Fleming bad guy moulds (rich megalomaniac and disfigured psycho) then making us guess at the new Blofeld's identity. The uncertainty of the Colorado battle is truly tense.
Straight away the book begins with an action packed, filmic, "pre-credits" sequence: in comparison to the previous book's low key start, here we find a well drawn 007 on a mission, tense amid the hijacking of a luxury airliner. Plus the excellent Saab 900 remains, but the dull Browning pistol is binned in favour of a Heckler & Koch VP70 and a Sykes-Fairbairn dagger (toys for the boys having always been part of the fictional Bond's world). Bond and Q'ute are now friends with benefits; there's a brief update/revery of past Bond girls; his cigarettes are now made by Simmons and it's great to see 007 enjoying a vodka martini again, too!
Above all, though, it's the energy and Fleming-y touches that shine through: the return of SPECTRE; exotic deaths; the Grand Prix set piece; the hot international settings that always appear to suit 007 better than UK bound adventures; the nods to both Felix Leiter, and (the real life!) Fleming's hand in creating the CIA. The strong female characters of Nena and Cedar have lives of their own, both driving the story along. Though making Cedar Felix's daughter is a little squirm inducing at first, having her pursue Bond rather than vice versa is a fun touch. All in all, one of Gardner's best and a great addition to the Bond canon.