- Paperback: 336 pages
- Publisher: Delta; Reprint edition (28 July 2009)
- Language English
- ISBN-10: 0385341849
- ISBN-13: 978-0385341844
- Product Dimensions: 13.2 x 1.8 x 20.8 cm
- Average Customer Review: 3.5 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 439,660 in Books (See Top 100 in Books)
Folly du Jour (Joe Sandilands Murder Mystery)
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Product Description
Review
"'Cleverly's (novel) evokes and in some ways surpasses the work of Agatha Christie' Publishers Weekly 'The atmosphere of the dying days of the Raj is colourfully captured' Susanna Yager, Sunday Telegraph 'A great blood and guts blockbuster' Guardian 'Solidly plotted throughout' Literary Review"
--This text refers to the
Hardcover
edition.
Product Description
Brutal murder embroils Scotland Yard commander Joe Sandilands in the intrigue and violence of late 1920s Paris in CWA Historical Dagger Award–winning author Barbara Cleverly’s tour de force of suspense.…
In a box at the famed Théâtre des Champs-Élysées, an ex-soldier and knight of the realm is dead, his throat savagely cut. In a jail cell, diplomat George Jardine, his evening clothes stained with the slain man’s blood, awaits the arrival of his old wartime friend, Joe Sandilands. In spite of the evidence, Sandilands believes Jardine is innocent. His search for a crucial witness—a notorious beauty who quickly vanishes—leads to the discovery of a shocking series of unsolved murders. Is Sandilands hunting a serial killer? Or has he stumbled upon something even more sinister and carefully orchestrated? As the final, chilling pieces of the puzzle fall into place, Sandilands launches his own counterattack against a killer whose sadistic agenda is about to become horrifyingly clear.…
In a box at the famed Théâtre des Champs-Élysées, an ex-soldier and knight of the realm is dead, his throat savagely cut. In a jail cell, diplomat George Jardine, his evening clothes stained with the slain man’s blood, awaits the arrival of his old wartime friend, Joe Sandilands. In spite of the evidence, Sandilands believes Jardine is innocent. His search for a crucial witness—a notorious beauty who quickly vanishes—leads to the discovery of a shocking series of unsolved murders. Is Sandilands hunting a serial killer? Or has he stumbled upon something even more sinister and carefully orchestrated? As the final, chilling pieces of the puzzle fall into place, Sandilands launches his own counterattack against a killer whose sadistic agenda is about to become horrifyingly clear.…
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Customer Reviews
Most Helpful Customer Reviews
9 of 10 people found the following review helpful
Format:Hardcover
If you're new to the series, don't start with this one. You might not read any of Cleverly's other Sandilands novels. Look for one of the books set in India (e.g. The Last Kashmiri Rose) or Tug of War (set in the French countryside). Skip The Bee's Kiss (which also rates only 3 stars). The Indian novels are strengthened by their exotic locales, and Tug of War, while not in an exotic setting, is a richly-textured and satisfying tale, carefully crafted and driven by characters rather than action.
Folly du Jour, set in Paris, tries to rely on fast pace and violence. The author attempts to glamorize things with Lindbergh's arrival in Paris and with Josephine Baker--but these are not successful. There's a sense of confusion, a patching in of elements from previous novels. The Paris underworld, the Apaches, play a major part. It's not quite as corpse-strewn as Hammett's Red Harvest, but it comes close. So what you get seems minimally different from a thousand other pulp-fictionish crime novels, which is sad, since Cleverly has proven herself capable of much better work.
Contrast this with Tug of War, which had one long-dead corpse. There was no action, no violence--which seemed a bit odd, but only at first. That novel was carefully written, and had a beautiful quiet strength. It didn't need shootings, killings, and car chases to achieve its power. The India novels have more action and violence, but it never gets out of hand, and if you pruned out the action and violent episodes, the stories would still have been powerful. Unfortunately, The Bee's Kiss wandered away from these strengths, and Folly du Jour has gotten even further away. So try instead Tug of War or The Last Kashmiri Rose.
Folly du Jour, set in Paris, tries to rely on fast pace and violence. The author attempts to glamorize things with Lindbergh's arrival in Paris and with Josephine Baker--but these are not successful. There's a sense of confusion, a patching in of elements from previous novels. The Paris underworld, the Apaches, play a major part. It's not quite as corpse-strewn as Hammett's Red Harvest, but it comes close. So what you get seems minimally different from a thousand other pulp-fictionish crime novels, which is sad, since Cleverly has proven herself capable of much better work.
Contrast this with Tug of War, which had one long-dead corpse. There was no action, no violence--which seemed a bit odd, but only at first. That novel was carefully written, and had a beautiful quiet strength. It didn't need shootings, killings, and car chases to achieve its power. The India novels have more action and violence, but it never gets out of hand, and if you pruned out the action and violent episodes, the stories would still have been powerful. Unfortunately, The Bee's Kiss wandered away from these strengths, and Folly du Jour has gotten even further away. So try instead Tug of War or The Last Kashmiri Rose.
Format:Hardcover
This is not the best of the Joe Sandilands series, but it is a very good read
and, if you enjoy the series, then don't miss this one. Good French
atmosphere and characters. I did guess who had done the murders but that
didn't detract too much from enjoying the story. I think, overall, I enjoyed
the India series rather than those with the French settings, but that is
personal choice.
and, if you enjoy the series, then don't miss this one. Good French
atmosphere and characters. I did guess who had done the murders but that
didn't detract too much from enjoying the story. I think, overall, I enjoyed
the India series rather than those with the French settings, but that is
personal choice.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
9 reviews
13 of 13 people found the following review helpful
the weakest of the sandilands mysteries
17 Aug 2008
Format:Hardcover
If you're new to the series, don't start with this one. You might not read any of Cleverly's other Sandilands novels. Look for one of the books set in India (e.g. The Last Kashmiri Rose) or Tug of War (set in the French countryside). Skip The Bee's Kiss (which also rates only 3 stars). The Indian novels are strengthened by their exotic locales, and Tug of War, while not in an exotic setting, is a richly-textured and satisfying tale, carefully crafted and driven by characters rather than action.
Folly du Jour, set in Paris, tries to rely on fast pace and violence. The author attempts to glamorize things with Lindbergh's arrival in Paris and with Josephine Baker--but these are not successful. There's a sense of confusion, a patching in of elements from previous novels. The Paris underworld, the Apaches, play a major part. It's not quite as corpse-strewn as Hammett's Red Harvest, but it comes close. So what you get seems minimally different from a thousand other pulp-fictionish crime novels, which is sad, since Cleverly has proven herself capable of much better work.
Contrast this with Tug of War, which had one long-dead corpse. There was no action, no violence--which seemed a bit odd, but only at first. That novel was carefully written, and had a beautiful quiet strength. It didn't need shootings, killings, and car chases to achieve its power. The India novels have more action and violence, but it never gets out of hand, and if you pruned out the action and violent episodes, the stories would still have been powerful. Unfortunately, The Bee's Kiss wandered away from these strengths, and Folly du Jour has gotten even further away. So try instead Tug of War or The Last Kashmiri Rose.
Folly du Jour, set in Paris, tries to rely on fast pace and violence. The author attempts to glamorize things with Lindbergh's arrival in Paris and with Josephine Baker--but these are not successful. There's a sense of confusion, a patching in of elements from previous novels. The Paris underworld, the Apaches, play a major part. It's not quite as corpse-strewn as Hammett's Red Harvest, but it comes close. So what you get seems minimally different from a thousand other pulp-fictionish crime novels, which is sad, since Cleverly has proven herself capable of much better work.
Contrast this with Tug of War, which had one long-dead corpse. There was no action, no violence--which seemed a bit odd, but only at first. That novel was carefully written, and had a beautiful quiet strength. It didn't need shootings, killings, and car chases to achieve its power. The India novels have more action and violence, but it never gets out of hand, and if you pruned out the action and violent episodes, the stories would still have been powerful. Unfortunately, The Bee's Kiss wandered away from these strengths, and Folly du Jour has gotten even further away. So try instead Tug of War or The Last Kashmiri Rose.
12 of 12 people found the following review helpful
terrific 1920s police procedural
7 Aug 2008
Format:Hardcover
In 1927 Scotland Yard Detective Joe Sandilands attends the Interpol conference in Paris, but when he lands at the airport the local police meet him. They take Joe to a prison where they hold a countryman of his charged with murder. Joe is stunned to find the French police accuse his long time friend Sir George Jardine of stabbing Sir Stanley Somerton, another person Joe knew but in this case would prefer not to have ever met the horrid victim.
Joe rejects the official position as he knows George would never do such an act except in self defense. He and French detective Inspector Jean-Philippe Bonnefoye investigate together based on the assumption someone else murdered the sleazy Somerton. They start at the morgue where pathologist Dr. Moulin explains the odd M.O. matches several recent homicides in the last three to four years. The two sleuths wonder whether a serial killer is stalking Paris.
FOLLY DU JOUR is a terrific 1920s police procedural starring two superb detectives. Joe may be shocked in his latest case (see THE BEE'S KISS, THE PALACE TIGER and THE LAST KASHMIRI ROSE), but gets to work right away while his French partner holds up his end of their joint investigation. Although the resolution can be seen from the French capital to London, historical mystery readers enjoy the two detectives' guided tour of Roaring Twenties euphoric post WWI Paris as this is a superb historical whodunit.
Harriet Klausner
Joe rejects the official position as he knows George would never do such an act except in self defense. He and French detective Inspector Jean-Philippe Bonnefoye investigate together based on the assumption someone else murdered the sleazy Somerton. They start at the morgue where pathologist Dr. Moulin explains the odd M.O. matches several recent homicides in the last three to four years. The two sleuths wonder whether a serial killer is stalking Paris.
FOLLY DU JOUR is a terrific 1920s police procedural starring two superb detectives. Joe may be shocked in his latest case (see THE BEE'S KISS, THE PALACE TIGER and THE LAST KASHMIRI ROSE), but gets to work right away while his French partner holds up his end of their joint investigation. Although the resolution can be seen from the French capital to London, historical mystery readers enjoy the two detectives' guided tour of Roaring Twenties euphoric post WWI Paris as this is a superb historical whodunit.
Harriet Klausner
6 of 7 people found the following review helpful
Joe Sandilands delights us again
10 Sep 2008
Format:Hardcover|Amazon Verified Purchase
Barbara Cleverly gives us another wonderful read with Joe Sandilands. Her delightful character Joe Sandilands is now in France. He is called to the aid his old friend from India and the plot unfolds. Her historical setting is so believable that the reader is transported back to the days of Apollinaire in France. Once you read one you will need to read them all. I hope she is busy writing as I need another Joe Sandilands fix.
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