You know a knitting book is a winner when you keep picking it up for just one more journey through the sensory delight of its pages. This is one of those books.
Folk Style is a lavish collection of stunningly beautiful designs. Sometimes folk elements from more than one culture or era are married with beautiful results, such as in The Grand Tour Waistcoast by Di Gilpin, which weds Greek, French, and Spanish inspirations. I particularly love Gilpin's careful placement of asymmetrical intarsia motifs so that the imbalance appears to be a natural growth. I also love how she incorporated some texture and a cable into both the background of the front and into the central motif in the back - what a lovely and fresh juxtaposition of elements! Plus the back armhole shaping . . .
I'd love to make and use Gina Wilde's Appalachian Gathering Basket, with its unusual shape, nubbly texture, faded southwestern colors, and haunting Pima Native American motifs. It's hard to stop gazing at it and turn the page. And yes, it is the perfect shape for gathering something.
Annie Modesitt proves yet again what a magnificent designer she is with her Shanghai Surplice. I got to see the original at TNNA (the industry show) and admired it there. And yes, it's given in lots of sizes - bust circumference from 30.5 to 52.5" - yay! Just looking at it makes a knitter's heart sing, because the directionality of knitting is used so well. The upper left front, with its diagonal curve from neck to midriff , sends the knitting sideways with an upward tilt, drawing the eye in a gentle and arousing manner. I love the two different armhole treatments - and the colors. This is one design that is so perfect that I'd want to knit in the original yarn and colors, and fortunately Annie chose something easily available and reasonably priced, Brown Sheep Cotton Fine.
Lisa B. Evans' Tribal Baby Carrier would be an amazing baby gift - once again, you cannot bear to turn the page.
Mags Kandis's softly felted Shibori-Esque Neck Wrap made me pause a long time to wonder if I might widen my own fashion sense to include this. It's just a little more "modern" than I usually wear, with elegant lines that are simple and graceful. If nothing else, it makes me think about doing something similar, combining Shibori and felting and weaving an end through a slit.
And it is just this kind of wondering that the editorial staff of Interweave encourages. Like the rest of books in their Knitting Style series, they include a Design Notebook in the back to inspire and guide knitters who'd like to venture down their own path of creating Folk Style garments. Twelve pages of guidance suggest how to find inspiration and develop it into working design, and show that this publisher recognizes the intelligence, eagerness to learn, and growing independence that characterizes today's knitters.