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Flyin' Shoes Extra tracks


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Product details

  • Audio CD (25 Aug 2003)
  • Number of Discs: 1
  • Format: Extra tracks
  • Label: Snapper
  • ASIN: B0000AKXFQ
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 358,780 in Music (See Top 100 in Music)

1. Loretta
2. No place to fall
3. Flyin' shoes
4. Who do you love
5. When she don't need me
6. Dollar bill blues
7. Rex's blues
8. Pueblo waltz
9. Brother flower
10. Snake song
11. Spider song (Bonus Track)
12. Upon my soul (Bonus Track)
13. Buckskin stallion blues (Bonus Track)
14. At my window (Bonus Track)

Customer Reviews

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Most Helpful Customer Reviews

5 of 5 people found the following review helpful By Blues fan on 10 Jun 2006
Format: Audio CD
I discovered this album when I was 24 and fell head over heels in love with it. Now I'm 40 and unlike most love affairs this relationship is still going strong. I've read a lot of people describe Townes as a poet - why it is never good enough to be a great songwriter I don't know. There's not many poets could touch Townes for great writing. His songs touch my heart even more keenly now I'm older and a bit more worn down than when I was young and knew very little. I think he was more a romantic than a realist, but his songs are full of love and worry - 'When She Don't Need Me' taps into that insecurities people have about needing to be needed and worrying even when we should be counting our blessings. This album is packed with great songs - and if you haven't heard Townes before and like me are laothe to but compilation albums, then 'Flyin' Shoes' is a great place to start.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 2 reviews
16 of 16 people found the following review helpful
Surprised this has not been reviewed already 2 Feb 2007
By R. Oakes - Published on Amazon.com
Format: Audio CD
Started listening to Townes back in the mid 70ties when this LP first came out on the Tomato label. Back then even in Atlanta, GA it was extremely hard to find such an esoteric artist. WREK the GA Tech station would play Flyin' Shoes on their very diverse rotation and it's haunting melody is today as mesmerizing as it was then. I have every Townes CD made, even a few bootlegs, and this one stands as my go to CD every time I need the magic of his song. Out of the 10 selections, Who Do You Love, is the only one that doesn't seem to fit. Per the polls, there may be better CDs in his catalog but this one has my vote. As a bonus I might add that the liner notes to this CD and original LP are exceptional in their telling.
Townes In His Prime 26 May 2009
By Alfred Johnson - Published on Amazon.com
Format: Audio CD
The main points of this review have been used to review other Townes Van Zandt CDs.

Readers of this space are by now very aware that I am in search of and working my way through various types of American roots music. In shorthand, running through what others have termed "The American Songbook". Thus I have spent no little time going through the work of seemingly every musician who rates space in the august place. From blues giants, folk legends, classic rock `n' roll artists down through the second and third layers of those milieus out in the backwoods and small, hideaway music spots that dot the American musical landscape.

I have also given a nod to more R&B, rockabilly and popular song artists then one reasonably need to know about. I have, however, other than the absolutely obligatory passing nods to the likes of Hank Williams and Patsy Cline spent very ink on more traditional Country music, what used to be called the Nashville sound. What gives?

Whatever my personal musical preferences there is no question that the country music work of, for example, the likes of George Jones, Loretta Lynn and Tammy Wynette in earlier times or Garth Brooks and Faith Hill a little later or today Keith Urban and Taylor Swift (I am cheating on these last two since I do not know their work and had to ask someone about them) "speak" to vast audiences out in the heartland. They just, for a number of reasons that need not be gone into here, do not "speak" to me. However, in the interest of "full disclosure" I must admit today that I had a "country music moment" about thirty years ago. That was the time of the "outlaws" of the country music scene. You know, Waylon (Jennings) and Willie (Nelson). Also Kris Kristofferson, Johnny Cash and Jerry Jeff Walker. Country Outlaws, get it? Guys and gals ( think of Jesse Colter)who broke from the Nashville/ Grand Old Opry mold by drinking hard, smoking plenty of dope and generally raising the kind of hell that the pious guardians of the Country Music Hall Of Fame would have had heart attacks over (at least in public). Oh, and did I say they wrote lyrics that spoke of love and longing, trouble with their "old ladies" (or "old men"), and struggling to get through the day. Just an ordinary day's work in the music world but with their own outlandish twists on it.

All of the above is an extremely round about way to introduce the "max daddy" of my 'country music moment', Townes Van Zandt. For those who the name does not ring a bell perhaps his most famous work does, the much-covered "Pancho And Lefty". In some ways his personal biography exemplified the then "new outlaw" (assuming that Hank Williams and his gang were the original ones). Chronic childhood problems, including a stint in a mental hospital, drugs, drink, and some rather "politically incorrect" sexual attitudes. Nothing really new here, except out of this mix came some of the most haunting lyrics of longing, loneliness, depression, sadness and despair. And that is the "milder" stuff. Not exactly the stuff of Nashville. That is the point. The late Townes Van Zandt "spoke" to me (he died in 1997) in a way that Nashville never could. And, in the end, the other outlaws couldn't either. That, my friends, is the saga of my country moment. Listen up to any of the CDs listed below for the reason why Townes did.

Townes Van Zandt was, due to personal circumstances and the nature of the music industry, honored more highly among his fellow musicians than as an outright star of "outlaw" country music back in the day. That influence was felt through the sincerest form of flattery in the music industry- someone well known covering your song. Many of Townes' pieces, especially since his untimely death in 1997, have been covered by others, most famously Willie Nelson's cover of "Pancho and Lefty". However, Townes, whom I had seen a number of times in person in the late 1970's, was no mean performer of his own darkly compelling songs.

Here the ones to give a close listen to are the haunting "Loretta" about a common Van Zandt topic of "fallen women"; the prophetic and self-explanatory "No Place to Fall", the title track "Flyin' Shoes"; a righteous cover of the old Bo Didderly classic "Who Do You Love"; the mournful "When She Don't Need Me"; and, the ambiguous (about whether he misses the horse or the woman more that may give a newcomer a small inkling to the Van Zandt personality) "Buckskin Stallion Blues".
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