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Amazon.co.uk Review
Credit for that must go to its lead actress. In the hands of a lesser talent, this is just the kind of movie that could descend into obscurity. But Jodie Foster, as always, injects her character with a believability and a drive that’s hard to resist, and here is no different.
The plot sees her flying her late husband’s body back home on a commercial flight. As her and her six year old daughter settle down, Foster soon falls asleep, awaking to find no sign of her child, and no one who can even remember her being on the flight. Has someone taken her? Is it all in Foster’s mind? These are the questions the film circles, and for a good hour of its running time, it’s compelling Hollywood-style entertainment.
The cracks soon appear when you examine the film more closely though, and it’s as if Flightplan is just as aware of that as everyone else. The decision therefore to keep the film moving at a good pace is a wise one, leaving the viewer free to switch their brain off and just enjoy the ride, without querying too much the glabrous script that rarely makes as good use of the premise as you’d hope.
Yet the film still works. It may, after the credits have rolled, have failed to live up to its potential, and there’s a good hour of dissection waiting to happen afterwards. Yet, crucially, there’s also the best part of a couple of hours of good, solid entertainment in it for you too.--Jon Foster
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Customer Reviews
The thing i liked most about the film is that often in thrillers we think of obvious questions that the characters should be asking, but do not, because then the problems would be solved and the movie would be over. In "Flightplan," Foster's character asks all the right questions, and plays the situation subtly and with cunning: She knows that once she crosses a line, she will no longer be able to help her daughter.
The movie's excellence comes from Foster's performance as a resourceful and brave woman; from Bean, Sarsgaard and the members of the cabin crew, all with varying degrees of doubt; and from the direction by Robert Schwentke, a German whose first two films were not big hits but this one deserves to be. Highly recommended to those who enjoyed panic room or just enjoy thrillers with twists in general.
I don't mean to poo poo the film as i thought it was excellent.
Jodie Foster's daughter doesn't appear on the flight manifest, her seat is shown as unoccupied and after a search, she is nowhere to be seen. She couldn't have 'popped out' unless she had oxygen and a parachute, so where is she? Was her mum dreaming, had she had a complimentary beverage over the odds? ALL WILL BE REVEALED.
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