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Product details

  • Mass Market Paperback: 708 pages
  • Publisher: Reagan Arthur Books; Reprint edition (30 April 2013)
  • Language: English
  • ISBN-10: 0316006971
  • ISBN-13: 978-0316006972
  • Product Dimensions: 10.8 x 3.8 x 19 cm
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Bestsellers Rank: 317,773 in Books (See Top 100 in Books)

More About the Author

Dan Simmons was born in Peoria, Illinois, in 1948, and grew up in various cities and small towns in the Midwest, including Brimfield, Illinois, which was the source of his fictional "Elm Haven" in 1991's SUMMER OF NIGHT and 2002's A WINTER HAUNTING. Dan received a B.A. in English from Wabash College in 1970, winning a national Phi Beta Kappa Award during his senior year for excellence in fiction, journalism and art.

Dan received his Masters in Education from Washington University in St. Louis in 1971. He then worked in elementary education for 18 years -- 2 years in Missouri, 2 years in Buffalo, New York -- one year as a specially trained BOCES "resource teacher" and another as a sixth-grade teacher -- and 14 years in Colorado.

His last four years in teaching were spent creating, coordinating, and teaching in APEX, an extensive gifted/talented program serving 19 elementary schools and some 15,000 potential students. During his years of teaching, he won awards from the Colorado Education Association and was a finalist for the Colorado Teacher of the Year. He also worked as a national language-arts consultant, sharing his own "Writing Well" curriculum which he had created for his own classroom. Eleven and twelve-year-old students in Simmons' regular 6th-grade class averaged junior-year in high school writing ability according to annual standardized and holistic writing assessments. Whenever someone says "writing can't be taught," Dan begs to differ and has the track record to prove it. Since becoming a full-time writer, Dan likes to visit college writing classes, has taught in New Hampshire's Odyssey writing program for adults, and is considering hosting his own Windwalker Writers' Workshop.

Dan's first published story appeared on Feb. 15, 1982, the day his daughter, Jane Kathryn, was born. He's always attributed that coincidence to "helping in keeping things in perspective when it comes to the relative importance of writing and life."

Dan has been a full-time writer since 1987 and lives along the Front Range of Colorado -- in the same town where he taught for 14 years -- with his wife, Karen. He sometimes writes at Windwalker -- their mountain property and cabin at 8,400 feet of altitude at the base of the Continental Divide, just south of Rocky Mountain National Park. An 8-ft.-tall sculpture of the Shrike -- a thorned and frightening character from the four Hyperion/Endymion novels -- was sculpted by an ex-student and friend, Clee Richeson, and the sculpture now stands guard near the isolated cabin.

Dan is one of the few novelists whose work spans the genres of fantasy, science fiction, horror, suspense, historical fiction, noir crime fiction, and mainstream literary fiction . His books are published in 27 foreign counties as well as the U.S. and Canada.

Many of Dan's books and stories have been optioned for film, including SONG OF KALI, DROOD, THE CROOK FACTORY, and others. Some, such as the four HYPERION novels and single Hyperion-universe novella "Orphans of the Helix", and CARRION COMFORT have been purchased (the Hyperion books by Warner Brothers and Graham King Films, CARRION COMFORT by European filmmaker Casta Gavras's company) and are in pre-production. Director Scott Derrickson ("The Day the Earth Stood Stood Still") has been announced as the director for the Hyperion movie and Casta Gavras's son has been put at the helm of the French production of Carrion Comfort. Current discussions for other possible options include THE TERROR. Dan's hardboiled Joe Kurtz novels are currently being looked as the basis for a possible cable TV series.

In 1995, Dan's alma mater, Wabash College, awarded him an honorary doctorate for his contributions in education and writing.

Product Description

Review

'a thrilling detective novel with a grand, compelling mystery at its centre' SFX.

'Relentlessly compelling' SciFi Now.

'Abundantly entertaining ... Flashback is first-rate' Washington Post. --This text refers to the Paperback edition.

From the Inside Flap

America, 2036. A wasteland in economic ruin. Terrorism and ultra-violence plague a once powerful society, whose people's only escape is to numb themselves on flashback - a euphoric yet cripplingly addictive drug that allows its users to revisit happier, past experiences. Ex-cop and addict Nick Bottom has seen flashback destroy his life. All he has left are the flash-induced memories of his beloved wife, taken from him in a fatal car accident. In despair, and at rock bottom, Nick receives a proposition. Powerful magnate Hiroshi Nakamura wants his services and, in particular, his memories. As head of the original investigation into the murder of Nakamura's son - an unsolved and seemingly impossible mystery - Nick's flashbacks now, six years later, hold the key to solving what was the greatest failed case of his career. This mission will bring Nick nearer to a hidden truth, one he may not be prepared to face, and will place his life in ever-increasing danger. Flashback: Dan Simmons' vision f a terrifying not-too-distant future; his fusion of awe-inspiring imagination, heart-thumping pace and surging plot cementing his status as one of the most versatile and visionary talents of his generation.

--This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

3.1 out of 5 stars

Most Helpful Customer Reviews

37 of 39 people found the following review helpful By James E. Rusler on 22 July 2011
Format: Hardcover
I'm not a fan of US right-wing politics. Nor do I think well of Dan Simmons's personal politics -- and neither would be worth mentioning if that scatter-shot set of nationalist fear-mongering beliefs weren't reflected so strongly in this book. Nearly every chapter had an awkward, suspension-of-disbelief shattering callback to the current events of 2008-2010. I felt physically thrown out of the story every time I read about Obama's campaign, or a mosque at Ground Zero, or that global warming hoax, or...well, you name it -- if Glenn Beck has cried about it or Fox News has pontificated over it, it's here.

If it were simply a matter of world-building, that would be fine. I found nothing wrong with the future he painted; indeed, it was an interesting and thought-provoking scenario with the quirks and curve-balls I expect from a Simmons novel. Even the politics themselves aren't the issue -- it's the heavy-handedness, the constant intrusion of the author shattering the experience.

Authorial intrusion on this scale is especially obnoxious because Dan Simmons knows better. One quote that he's often referenced in his own Writing Well series comes from Gustave Flaubert: "In his work, the artist should be like God in creation: invisible and all-powerful. He should be felt everywhere and seen nowhere."

Unfortunately you see Dan Simmons shining through every time a character in the 2030s, in a bankrupted, drug-addicted, drawn-and-quartered United States, ruminates over the concerns and uniquely American fears of the present day. This never-ending interruption very nearly ruined what would have otherwise been another spectacular work from a spectacular writer.

I say "very nearly" for good reason.
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2 of 2 people found the following review helpful By Kublai on 6 Mar. 2013
Format: Hardcover
It's refreshing to read a well written novel, and one with something interesting to say. (SPOILERS AHEAD!) At first I was a bit put off by the world-weary detective with a drug problem as they seem to be the only kind of detective that exists in fiction. But the writing is good enough, and the characters well developed enough that it wasn't too much of a problem. And in this novel, being world-weary is kind of the point - and key to the story. That story is original, intriguing and believable, with a mystery that's very well plotted.

So, it's a bit depressing to read all the negative reviews which criticise this novel as being right-wing - basically using the term as a synonym for evil, insane, deranged, utterly-wrong-and-should-never-have-been-written, etc, etc. But there is actually not a lot that's controversial in the near future world Simmons has imagined:

Demographics, immigration rates, birth rates, all show that the Hispanic population of the U.S is rapidly increasing. If the trend continues then it's plausible to imagine a California with a majority Hispanic population that feels more tied to Mexico than a crumbling U.S.

Official statistics also project that the Muslim population will become the majority in most European countries during this century. Majority populations generally control government, and define law and culture, so it's highly likely that there'll be some form of Sharia law across most of Europe (if population trends continue as they are). Furthermore, the Global Caliphate is not some fringe idea of Islam, but an established part of Islamic teaching - so it's sensible to suggest that a Muslim dominated Europe would see itself, along with a nuclear Middle East as a spreading Global Caliphate.
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9 of 10 people found the following review helpful By L. Timpson on 6 July 2011
Format: Hardcover
I rather liked it. It's not a fable, or allegory, or political polemic, but a novel set in a world of the author's design. I can see why it would rub people up the wrong way, but if you choose to take a fictional novel as a manifesto, rather than a piece of (thought-stimulating) entertainment, then there we are. It's got good bits about weapons, ninjas, drugs, Islam, truckers, Japs and family. If you like 'The Gone Away World' by Nick Harkaway then you should like this, and vice-versa.
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23 of 27 people found the following review helpful By Dan224 on 16 Sept. 2011
Format: Hardcover
The question I have to ask myself is am I annoyed at this book (and I am annoyed at this book) because its plot and characterisation are poor (another book that deals with disgruntled wayward son and estranged father? What is it about the father son relationship that American authors in particular get so hung up on?) or is it because the author so clearly has a vision of the world (as is and what its going to become) that is reactionary, anti Muslim (though I suspect he would say its anti fundamentalism - not sure I'd agree), and in political terms somewhere to the right of the TEA party.
Don't get me wrong I like (if that's the right term in this instance) good dystopian fiction, SF is littered with warnings about what might happen and how characters would react / live in such a society and like the best SF it's a comentary of what's happening now in the so called real world.
But Flashback isn't in that catergory.
Flashback postulates a world where appeasment to Islam is the norm, democracy is not only dead but should never have been invented, and Japan is going to be the new superpower having forged an alliance with elements in the USA (that might be giving a way a bit of the plot).
And all of this comes about by an economic collapse triggered in part by the USA introducing proper health care for its poorest citizens? Apparently it has absolutely nothing to do with Banks playing roulette with other people's money or a large percentage of very rich people doing their best not to pay taxes.
This is reactionary SF of the worst kind but still I might even have forgiven it if not for the crack about the UK for (slightly paraphrasing here) introducing the evils of the NHS.
So to answer my own question; what is annoying about this book?
I think the answer is just about everything.
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