Flags of Our Fathers took some undeserved flak from a few teenage blowhards & armchair generals because it wasn't the straightforward recounting of the battle of Iwo Jima they imagined. Well it's their loss because seen back to back with its brilliant companion piece, the Japanese language Letters from Iwo Jima, it becomes clear what a twin masterpiece the 77 year old Eastwood has made.
In Fathers the three American flag-raisers come back to the States to be hailed as heroes for having done nothing more than raising a pole. Haunted by horrific memories of combat, surrounded by Government spin that excludes one man who was there & falsely credits another, the Marines just have to bear it as best they can. Eastwood's thoughtful, reflective, melancholy rumination about the gap between combat reality & combat glory is complemented by Letters from Iwo Jima. Evoking amazing emotional power the film takes us deep into the lives of men ranging from a lowly private to a noble General. If Flags was haunted by the sad memories of old men then Letters is all about giving voice to the unknown soldiers sent to their death in a futile cause & denied by their culture even the possibility of surrender.
Both movies are immaculately crafted with memorable performances, beautiful burnished photography that is almost, but not quite, black & white, filled with great scenes both on & off the battlefield & memorable music scores, principally by Eastwood & his son Kyle.
Letters is about the battle & the more emotional of the two as well being the more conventionally told, whilst Flags is about the postwar, is non-linear in it structure & the more intellectual. Both films are less interested in overwhelming the viewer with scenes of battle (although there are astonishingly well done battle scenes in both) than they are in exploring the demands each culture made of its men. Each is impressive on its own but what is so fascinating is that seen back to back they fill in the gaps in the others story & together constitute one of the great cinematic portraits of men in war.