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Used: Like New | Details
Condition: Used: Like New
Comment: Still sealed, reissue, "back to black" series, w/ download
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Five Leaves Left [VINYL]

154 customer reviews

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Product details

  • Vinyl (24 Jan. 2000)
  • Number of Discs: 1
  • Label: Simply Vinyl
  • ASIN: B00004WOKX
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (154 customer reviews)
  • Amazon Bestsellers Rank: 436,579 in Music (See Top 100 in Music)

Product Description

NICK DRAKE Five Leaves Left (Limited 2000 UK Simply Vinyl audiophile issue of the classic 1969 10-track LP pressed on 180gram Virgin Vinyl deluxe gatefold picture sleeve in stickered PVC sleeve. Utterly timeless and includes the beautiful and serene moments Time Has Told Me Way To Blue and Cello Song. The vinyl does show a handful of light surface marks from being taken in and out of the sleeve yet is clean & plays beautifully. A masterpiece album that deserves a place in any record collection SVLP163)

Customer Reviews

4.7 out of 5 stars

Most Helpful Customer Reviews

94 of 96 people found the following review helpful By A Customer on 13 Aug. 2000
Format: Audio CD
Having sampled Nick Drake's genius on "Way to Blue - An introduction to Nick Drake", I went out and bought all three of his main albums. They are all worthy of five stars, but while the stark "Pink Moon" perhaps has a couple of weak links and "Bryter Later" relies on some instrumental passages, I would say that "Five Leaves Left" stands as the ultimate monument to Nick Drake's brilliance.
It contains arguably his greatest songs, the lilting, yearning "River Man" and the harrowing, prophetic "Fruit Tree". There is playfulness too in "The Thoughts of Mary Jane" and "Man in a Shed" but all tinged with his trademark "wistfulness" Other classics are "Day is Done", "Saturday Sun" and the beautiful "Cello Song", which shows off his almost inimitable guitar technique. The whole album boasts an incredible range of interesting rhythms and melodies. If you liked Van Morrison's "Astral Weeks" you'll certainly like this
Drake on this record was whimsical yet poignant, hopeful yet hurt. He sang in a whisper that spoke a whole encyclopaedia of volumes. He was one of this country's greatest songwriters and a great musician too. A lot of stuff I used to like now sounds clumsy after listening to this.
Phew! But that's enough. Don't take my word for it. Buy this - and the other two albums too.
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20 of 20 people found the following review helpful By liz on 18 May 2007
Format: Audio CD
I resisted the pressure to buy a Nick Drake album for many years believing that his cult status was more the result of heavy promotion than unusual talent.

Curiosity finally overcame me, although I still waited for an album to be on special offer...

Listening for the first time I was fully prepared to be singularly undewhelmed. However, from the first beautiful acoustic note I was entirely captivated.

Few people, including myself, have the literary skills to do justice to this incredible album so you will simply have to experience the delight for yourself.
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14 of 14 people found the following review helpful By John Tree on 26 Mar. 2007
Format: Audio CD
Five leaves left...the message Rizla use to let you know you have nearly run the title Nick Drake used for his debut album. He was to only produce two more in his short tragic life, but in my opinion this is probably his best. The songs all have a haunted melancholic feel, but like an Edvard Munch painting this is turned into a thing of great beauty.
It is quite common for an artist's debut album to turn out to be their best. After all, they come to the starting blocks with a lifetime of their output to hand. As soon as they sign a contract they are on a 12 month treadmill to repeat the same feat.

These languid, autumnal, acoustic guitar-led tunes snake their way through the album, joined along the way by some achingly beautiful string arrangements, particularly on the magnificent River Man...which has to be his finest moment...closely followed by Fruit Tree.
Drakes voice had a tender yearning and infectious calm that belied his inner torment, and awareness of his suicide adds poignant hindsight to the lyrics.

Similarities have been drawn before to stablemate John Martyn. This is not surprising... Drake was joined on the album by the great Danny Thompson on double bass, Tristam Fry on drums...both of whom played on Martyn's albums.
It's consistently strong album the quality remains faultless right through...and although I recommend this as a first taster to Drake, chances are you'll end up buying the other two...and they are all great great albums.
Five leaves Left remains a towering achievement from a sadly missed British artist of immeasurable sensitivity. Timeless.
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38 of 39 people found the following review helpful By on 20 May 2000
Format: Audio CD
Nick Drake was incredible; everyone who's heard him play will agree. "Five leaves left" was his first album, and was promptly ignored by critics and consumers alike upon its release; only relatively recently has his talent started to be properly realised. This is definitely English folk music, but equally has definite jazz, blues and occasionally classical nuances; given that Nick was a public-school boy, it's perhaps not so surprising that his deep, resonant voice has more than a little of an upper-class English accent.
Most of the songs on the album are accompanied by Nick on acoustic guitar, and many of them have string arrangements by his friend Robert Kirby. Nick's guitar playing has attracted attention from just about everyone; it was rare for him to write any song in a conventional tuning, and the work he put into retuning the instrument is apparent from the big, open sounding, slightly jazzy voicings you can hear throughout the album (Incidentally, I hate to be picky, but another reviewer says that he played 12-string guitar; he only ever recorded with one guitar, a Guild M20 six string acoustic).
I suppose the best way to describe the tone of the album would be to use the word "wistful"- there's no out-and-out depression here (as can certainly be heard in some of his later recordings), but sadness permeates all the recordings at some level. It's a hopelessly romantic, dreamy, incredibly beautiful album; anyone with a soul cannot help but fall in love with it.
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