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Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing
 
 
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Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing [Paperback]

Frederick Wiseman

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"Fred Wiseman is the perfect example of someone who has created a great canon of films. He is not just a great documentary filmmaker, he is a great filmmaker and artist. He has created some of the wildest, most personal, and oddly expressionistic filmmaking around. His origins are not in the movies but in the theater of the absurd. I imagine his smile of pleasure when the man in Welfare compares his situation to Godot. It's not life imitating art, but a strange admixture of both where the boundary lines between the two are no longer visible. Ultimately, Wiseman has showed us that the ultimate institution is life itself, and properly speaking, we should all be institutionalized." - Errol Morris "Barry Grant has created a monumental resource for the study of a monumental filmmaker." - Ross McElwee, Director, Sherman's March and Bright Leaves"

Product Description

Frederick Wiseman is among America's foremost documentary film-makers. The recipient of many awards, including three Emmys, Wiseman has made more than thirty feature-length documentaries during a career that has spanned five decades. Together, these films provide a fascinating chronicle of American social and institutional life. This book makes available for the first time transcriptions of five of Wiseman's most important films - "Titicut Follies", "High School", "Welfare", "High School II", and "Public Housing" - providing all of the dialogue, as well as annotations about other aspects of the soundtracks, such as music and ambient noise, and notes about editing and camera movement. These scene-by-scene transcripts enable readers to scrutinize the films' complex structural patterns, recurring motifs, editing regimes, and the unscripted dialogue that makes Wiseman's cinema a rich repository of American speech. Editor Barry Keith Grant's critical introduction discusses the importance of sound in Wiseman's documentaries. Liberally illustrated with images from the films, these meticulous transcriptions are accompanied by a bibliography and filmography.

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