Paule Marshall is a careful writer, averaging a book per decade. Her current offering, "The Fisher King," is proof that something worth having is something worth waiting for. At the story's center are the expatriate African-American jazz pianist, Sonny-Rett Payne, and his namesake grandson. This extraordinary child, who lends his voice to the story as a compliment to that of his guardian, Hattie Carmichael, emerges as the most sane and sensitive character connected to a concert in Brooklyn to commemorate his grandfather. Sonny, the child, and Hattie are eking out a living in Paris when Edgar Payne, Sonny's great-uncle, a real estate magnate in the Bed-Stuy section of Brooklyn, summons them to the celebration. As Sonny maneuvers the variegated households of his two great-grandmothers--Florence Varina, the "high-yellow" Southerner, and Ulene Payne, a demented and bitter West Indian--as well as the affluent abodes of Edgar Payne, his abilities to withstand the fallout of long-standing family feuds are tested. As the concert date draws near, Marshall skillfully draws the story toward its natural and original climax and denoument. Through it all, she masterfully makes you hear the music that is a powerfully euphonic partner to the beauty that is characteristic of her own uniquely enduring literary form.