The Fish Can Sing (Panther) (Paperback)

The book is set in Reykjavik at the beginning of its transition from an unremarkable town in a traditional society to the capital of Iceland. The characters of the "grandparents" represent the past of Icelandic society - with values which are sometimes amusingly irrational but which nevertheless are full of humanity. Through these characters, and those of some of their guests at Brekkukot, a picture of Icelandic rural life is presented with humor and lyrical beauty.

Modernity is represented by the mysterious character of Gardar Holm, who has achieved fame in the outside world as an opera singer. He is the hero of the new merchant class, who have opened department stores and newspapers and who threaten the livelihood of the old time fisherman with their trawler fleets. Through his contact with Gardar Holm, Alfgrimur is drawn towards that world.

Laxness succeeds in immersing the reader in the life of Brekkukot. This is a sometimes funny book, sometimes full of pathos. Memorable scenes come back to you many days after you have put the book down. Some might find the book a bit on the sentimental side, but it is much more than a sentimental tale. Just as it beautifully describes the change from childhood to adulthood, it describes the transition of a society - both with their own inevitability. Written in 1957, it is ahead of its time in its awareness of the environmental issues which result.

A thoughtful, warm and often funny book, with a slow pace. It's not for everyone, but many will find it a rewarding read.

The second half of the book becomes increasingly focussed on Alfgrímur's cousin, the internationally famous Icelandic tenor Gardar Hólm ... what, you haven't heard of him? Now, why might that be? This section of the tale suddenly and unexpectedly darkens, as Gardar's true circumstances are gradually revealed; and there are some utterly unforgettable moments - particularly Gardar's impromptu concert in the virtually empty cathedral, for the benefit of his aged and near-blind mother - this moment comes after Alfgrímur, and the reader, have been waiting all through the novel to finally hear Gardar sing, and it's undoubtedly worth the wait. The final few chapters combine high tragedy and low comedy in typical Laxness style: this is a slow-burner of a book that really blazes up towards the end.

This novel is perhaps the ideal introduction to Laxness' work - though less craggily monolithic than "Independent People", it is (for all its idiosyncrasy and charm) just as deeply serious. It is ultimately, like so many great books, about growing up - both Alfgrímur's own journey to adulthood, and his country's journey to modern, independent nationhood. Both processes involve as many losses as gains.

As usual, Magnus Magnusson gives us an unobtrusively idiomatic translation, which is a delight to read. This is an utterly unique book - highly recommended.