In this collection: his shorts: First Love, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping, Not I, Breath.
First Love and Ping are authoritative and powerful. Beckett's humor can toss the livers of the readers down the dune. Let's sample this passage taken from p. 33 of First Love:
"One day she had the impudence to announce she was with child, and four or five months gone into the bargain, by me of all people! She offered me a side view of her belly. She even undressed, no doubt to prove she wasn't hiding a cushion under her skirt, and then of course for the pure pleasure of undressing. Perhaps it's mere wind, I said, by the way of consolation."
The scenes of parsnips, his moving in, the bench, and priapic disturbance are riveting, impure, and just wicked. Beckett has such a command of language. The reader can also perceive this command in his experimental/musical linguistic cleavage in Ping. Ping takes language on a level beyond abstraction. Language that makes sense, that shares its foundation with clarity. The sole work of sound and music!
Others have found Beckett absurd, obtuse, difficult, obscure, but I find his work so powerful, so focus, so clear, so precise. It makes me wonder where readers go especially when I think they simply got lost in the ravine of Beckett's clarity.