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Product Description
This new collection brings together First Love, The Calamative, The End and The Expelled; these four novellas are among the first major works of Beckett's decision to use French as his language of literary composition. Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...
From the Publisher
The 13 `Texts for Nothing' were written between 1947 and 1952, the years that produced `Waiting for Godot', the `Molly' trilogy of novels and other work, which can be described as the principal masterpieces of the author's middle period which brought him instant recognition and international acclaim after the many pre-war years of discouragement and lack of literary success. They are outbursts of great power and lucidity, reflecting his own sense of failure and of being a prisoner of malign forces that can be viewed metaphorically or theologically, expressing anger at the human condition and helplessness at his own. They are Promethean and typical of Beckett in thought, style and content. They are as quotable as the lines and sentiments of Shakespeare's finest works.
--This text refers to an out of print or unavailable edition of this title.
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First Sentence
They clothed me and gave me money. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
They clothed me and gave me money. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful
Format:Paperback
These short stories are a great starting place for anyone interested in exploring Beckett's prose, 'First Love' itself being a particular gem. They represent the start of a new creative period for Beckett, when his move to composition in French helped him to escape the anxiety of Joyce's influence. The stories in this volume are Beckett's own translations (with the help of Richard Seaver) of his original French tales. Translation has not diminished them, even if they are inescapably slightly different from their French incarnations. Overall, highly recommended. I'm sure anyone who has read any Beckett prose is desperate for more; similarly those who are as yet familiar only with the drama have a literary world which is as rich, if not more rich, still to discover.
PS. MUST give it 5 stars, since the 2 star rating here accompanies a glowing review - probably a typo, but we wouldn't want this to damage Beckett's reputation!
PS. MUST give it 5 stars, since the 2 star rating here accompanies a glowing review - probably a typo, but we wouldn't want this to damage Beckett's reputation!
9 of 13 people found the following review helpful
Format:Paperback
Readers of "Watt" will find the familiar cold comfort of isolation and despair that is unique to Beckett's view of the human condition. Abandon hope, all ye who would enter the world of these three novellas, the first Beckett wrote in French.
All three novellas cover the same single male animal condition; isolation, despair, hopelessness and curiosity as to why things are as such. It is the view that the corpse is superior to the living, and rotting flesh.
They provoke, they incite and they inspire. Could literature do more?
13 of 23 people found the following review helpful
Format:Paperback
The incandescent charm of Beckett's language had never been more apparent than in these small masterpieces, written under the shadow of the worst war in history. He brings to life a strange world of existentialist torment and aimless wandering with an almost incomprehensible ingenuity. The best of the stories is undoubtedly First Love where the apparent pointlessness of life shown in the other three novellas is thrown the challenge of what it is to be in love. The result is a compelling view of the humnan experience, regardless of the particular human beings being discussed. First Love has a subtlety and a tragic undertone which must have been particularly relevant to any post-war audience, but even today the power of these lost lives still evoke certain emotions that will make us all remember what life if really all about. These stories are at once cynically vulgar and beautifully elegiac. If Beckett had never written anything else, he would still have been one of the twentieth century's greatest writers.
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