- Vinyl (27 Aug 1991)
- Format: Import
- Label: Capitol
- ASIN: B00008EULA
- Other Editions: Audio CD | Audio Cassette | Vinyl
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Product details
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Track Listings
| 1. Take a Chance |
| 2. Real Love |
| 3. Sightseeing |
| 4. Real at the Time |
| 5. Always in My Heart |
| 6. Fire Inside |
| 7. New Coat of Paint |
| 8. Which Way |
| 9. Mountain |
| 10. Long Way Home |
| 11. Blind Love |
| 12. She Can't Do Anything Wrong |
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
18 reviews
10 of 11 people found the following review helpful
Information about this album!
20 Nov 2007
Format:Vinyl|Amazon Verified Purchase
Bob Seger's 'Fire Inside' is a characteristically conservative yet touching display of midlife musical resolve. Seger was thirty-one when he realized his rock dream with Live Bullet, from 1976, and never forgot the frustrations of the struggle. So after the commercial harvest of the subsequent Night Moves, he refined a formula that balanced the abandon of the roadhouse rocker with the control of a singer-songwriter and became that rare pontificator who could encore with a convincing Chuck Berry number.
The supporting cast of The Fire Inside mixes L.A. session aces with Bruce Hornsby, members of John Mellencamp's Indiana crew and Seger's own Silver Bullet Band. Seger followed his usual habit by recording some of the album with the soulful Barry Beckett at the board - much of the rest was recorded by Don Was - and the disc would be understood as bullishly American even if it didn't have the Statue of Liberty on the cover. Seger's nationalistic impulses, however, truly flower when he touches upon blues and country.
Seger covers his established styles with "Take a Chance" (floor-pounding rock), "The Fire Inside" (end-of-the-innocence ruminations) and "The Real Love" (earnestly romantic ballads). "The Real Love" is particularly fine, with Seger's sandy voice framed by Mike Campbell's layered guitars and a battery of background singers. "Sightseeing" evokes the rural rock of Mellencamp - and underscores the nature of artistic influences with a lyric about gaining inspiration from looking at great art.
That's why it makes perfect sense that the album's poetic heat comes from two songs by another artist: Tom Waits, one very idiosyncratic singer-songwriter. Seger presents "New Coat of Paint" as a ripe, sexy blues, with his blustery invitation ("We'll laugh at that old bloodshot moon/In that burgundy sky") lubricated by Bill Payne's rippling piano. The other Waits-penned track, "Blind Love," is tethered to the dulcet country whine of Richard Greene's violin.
"Blind Love" should have ended the album. Instead, Seger, as if to touch one last base, cranks out "She Can't Do Anything Wrong," a jailbait rocker by other writers. Two decades ago, Seger might've been forgiven for writing this song; now, sung as a cover by a middle-aged man, he sounds like a dad trying too hard to please the kids.
"She Can't Do Anything Wrong" does not befit the man who wrote "Rock and Roll Never Forgets." Seger shows he hasn't forgotten by growling through the guitars that drone on "Real at the Time" and stomp through "The Mountain." He also remembers plenty on a superb country ballad, "The Long Way Home," in which a beautiful loser shows how, when it comes to rock & roll, soul transcends style.
The supporting cast of The Fire Inside mixes L.A. session aces with Bruce Hornsby, members of John Mellencamp's Indiana crew and Seger's own Silver Bullet Band. Seger followed his usual habit by recording some of the album with the soulful Barry Beckett at the board - much of the rest was recorded by Don Was - and the disc would be understood as bullishly American even if it didn't have the Statue of Liberty on the cover. Seger's nationalistic impulses, however, truly flower when he touches upon blues and country.
Seger covers his established styles with "Take a Chance" (floor-pounding rock), "The Fire Inside" (end-of-the-innocence ruminations) and "The Real Love" (earnestly romantic ballads). "The Real Love" is particularly fine, with Seger's sandy voice framed by Mike Campbell's layered guitars and a battery of background singers. "Sightseeing" evokes the rural rock of Mellencamp - and underscores the nature of artistic influences with a lyric about gaining inspiration from looking at great art.
That's why it makes perfect sense that the album's poetic heat comes from two songs by another artist: Tom Waits, one very idiosyncratic singer-songwriter. Seger presents "New Coat of Paint" as a ripe, sexy blues, with his blustery invitation ("We'll laugh at that old bloodshot moon/In that burgundy sky") lubricated by Bill Payne's rippling piano. The other Waits-penned track, "Blind Love," is tethered to the dulcet country whine of Richard Greene's violin.
"Blind Love" should have ended the album. Instead, Seger, as if to touch one last base, cranks out "She Can't Do Anything Wrong," a jailbait rocker by other writers. Two decades ago, Seger might've been forgiven for writing this song; now, sung as a cover by a middle-aged man, he sounds like a dad trying too hard to please the kids.
"She Can't Do Anything Wrong" does not befit the man who wrote "Rock and Roll Never Forgets." Seger shows he hasn't forgotten by growling through the guitars that drone on "Real at the Time" and stomp through "The Mountain." He also remembers plenty on a superb country ballad, "The Long Way Home," in which a beautiful loser shows how, when it comes to rock & roll, soul transcends style.
10 of 11 people found the following review helpful
Introspective Seger
20 Feb 2001
Format:Audio CD
His greatest hits album was/is awesome, but there are songs on it that pale in comparison to some of the songs on this compilation. "Real Love" is a great tune, as is the opening track, "Take A Chance". I love the song "Sightseeing"; this isn't your normal schmoe writing a rock song and so we get a "not your normal rock song" result. Great lyrics, great rhythm. "Real At The Time" is great. Who hasn't been in love w/someone and years later looked back and said to themselves, "Yup, it was real at the time."? "Blind Love" is maybe my favorite track on the cd. It has a strong country feel, but it's the way country ought to sound. No twang, no steel guitars. The whole cd is just a solid, solid set from a master of rock and roll.
8 of 10 people found the following review helpful
Bob Seger realy sparks a bit fire on this one, but the most are in the middle.
23 Jan 2006
Format:Audio CD
Some rockartists doesn`t know their roots. Bob Seger is one of the few among the socalled "modern" artist`s`who does. The opener Take a Chance isn`t realy up there in 5 stars heaven. The theme is to much repeated, and have to little variation, but you don`t have to wait long. Track 2 The Real Love kicks your`e soul in gear, (it`s also produced by Gear Publishing Co but that`s a coincidence ?), Track 3 Sightseeing Is root`s rock and roll, but nothing more sorry to
say. Track 4 Real at the time I't s much in the same style, and not a realy "earopener" when it come`s to creative listning experience. Track 5 Always In My Heart is a ballad, and it`s ok. Very simple, not to creative to listen too. It`s good too take a slow dance too, but would not lift you up with star`s in your`e eyes. Aaaah.But at last The title track Track 6 The Fire Inside. Bob Seger at his best, saved by a good melody, and Roy Bittan, (from Springsteen Estreet band with a pianoplaying which realy hit`s the mark). This is it, to make it short. Everything fit`s in a way. A melody that will lift your`e soul. Track 7 New Coat of Paint is Bob Seger singing Tom Wait`s, and has some flair, style, and a walkalong melody. Track 8 Which Way, is a good blues song, which has much weight in the melody and a good whole. Track 9 The Mouintain has Eagles member Joe Walsh on Lead guitar, that save this one. Puerly standard rock and roll. Track 10 The Long Way Home is a great ballad. Simple, but strong on lyricks which tells us much about life:- Some lose their way. They all want so much to succeed. How do you tell them apart. The best of them lead with their heart. Bob Seger The Long Way Home. This is great poetry, and something to think about for each of us.
Track 11 Blind Love is more in the "country style" and ok.
Track 12 She can`t do anything wrong, is good ol rocker in the style of his earlier hit`s like: Old Time Rock and Roll.
Some great tracks, some not, Bob Seger is anway a good traditional rock and roller who know`s his craftstrade. 3 1/2 star, nearly 4. A good buy anyway, if you can get hold of it.
say. Track 4 Real at the time I't s much in the same style, and not a realy "earopener" when it come`s to creative listning experience. Track 5 Always In My Heart is a ballad, and it`s ok. Very simple, not to creative to listen too. It`s good too take a slow dance too, but would not lift you up with star`s in your`e eyes. Aaaah.But at last The title track Track 6 The Fire Inside. Bob Seger at his best, saved by a good melody, and Roy Bittan, (from Springsteen Estreet band with a pianoplaying which realy hit`s the mark). This is it, to make it short. Everything fit`s in a way. A melody that will lift your`e soul. Track 7 New Coat of Paint is Bob Seger singing Tom Wait`s, and has some flair, style, and a walkalong melody. Track 8 Which Way, is a good blues song, which has much weight in the melody and a good whole. Track 9 The Mouintain has Eagles member Joe Walsh on Lead guitar, that save this one. Puerly standard rock and roll. Track 10 The Long Way Home is a great ballad. Simple, but strong on lyricks which tells us much about life:- Some lose their way. They all want so much to succeed. How do you tell them apart. The best of them lead with their heart. Bob Seger The Long Way Home. This is great poetry, and something to think about for each of us.
Track 11 Blind Love is more in the "country style" and ok.
Track 12 She can`t do anything wrong, is good ol rocker in the style of his earlier hit`s like: Old Time Rock and Roll.
Some great tracks, some not, Bob Seger is anway a good traditional rock and roller who know`s his craftstrade. 3 1/2 star, nearly 4. A good buy anyway, if you can get hold of it.
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