Amazon.co.uk Review
Some ideas, like Plaster of Paris or tarmacadam, are so simple yet brilliant they go on being used centuries after their conception;
Fingerprints is an analysis and history of just one such Victorian "invention": the use of fingerprints as criminal evidence.
Beaven, a journalist and trained physicist, tells his story through the prism of a particular turn-of-the-century East End murder, the first case where fingerprints proved absolutely crucial to detection and conviction. Using this springboard, Beaven dives into the history of criminal investigation, surfacing with such pearls as the 19th century Scottish missionary who discovered prints on ancient Japanese pottery, the Victorian geneticist Francis Galton who thought certain kinds of prints indicated intellectual prowess, and the scandalous 1896 jailing of "con artist" Adolf Beck--a man who would have been proved innocent had the value of fingerprint evidence been more widely acknowledged at the time.
If that list infers the book is narrowly focused on the late Victorian age, it shouldn't. Beaven is, if anything, a historical jackdaw: he also sees fit to include the "supernatural ordeals" of Medieval justice, the establishment of investigating juries way back in 1215, the Italian innovations in law and criminology that came with the Renaissance, and much, much else. The result is a witty, readable, concise, informative, lucid, highly entertaining bouillabaisse of history, anecdote, criminal lore and truly popular science. --Sean Thomas
Review
‘Beavan’s effortless prose, firm grasp of his subject and vividly drawn characters will delight.’ Publisher’s Weekly