Amazon.co.uk Review
In 1975, in an unidentified Indian city, Mrs Dina Dalal, a financially pressed Parsi widow in her early 40s sets up a sweatshop of sorts in her ramshackle apartment. Determined to remain financially independent and to avoid a second marriage, she takes in a boarder and two Hindu tailors to sew dresses for an export company. As the four share their stories, then meals, then living space, human kinship prevails and the four become a kind of family, despite the lines of caste, class and religion. When tragedy strikes, their cherished, newfound stability is threatened, and each character must face a difficult choice in trying to salvage their relationships.
Review
It's long, it's full of life, and it's a really fast-paced read. Mistry is a master storyteller and knows how to hold a reader's interest. The plot concerns the interconnected fortunes of four characters; of Ishvar and Omprakesh Darji, rural tailors adrift in a fictionalised Bombay, Maneck Kohlah, an unworldly student form the Himalayas, and Dina Dalal, owner of the constricted flat where these lives collide. The book weighs heavy but reads light, brimful with comic incident, fear and farce, as Mistry unfolds how each character copes in the aftermath of the internal emergency of 1970s India. Liberally sprinkled with local detail and language, the personal takes precedence over the polemical and a complex tale emerges involving a wide cast of incidental, but memorable characters. Like all good feasts, this novel is to be savoured slowly. Booker-shortlisted in 1996. Death in the Andes (Kirkus UK)
From the Toronto-based Mistry (Such a Long Journey, 1991), a splendid tale of contemporary India that, in chronicling the sufferings of outcasts and innocents trying to survive in the "State of Internal Emergency" of the 1970s, grapples with the great question of how to live in the face of death and despair. Though Mistry is too fine a writer to indulge in polemics, this second novel is also a quietly passionate indictment of a corrupt and ineluctably cruel society. India under Indira Gandhi has become a country ruled by thugs who maim and kill for money and power. The four protagonists (all victims of the times) are: Dina, 40-ish, poor and widowed after only three years of marriage; Maneck, the son of an old school friend of Dina's; and two tailors, Ishvar and his nephew Om, members of the Untouchable caste. For a few months, this unlikely quartet share a tranquil happiness in a nameless city - a city of squalid streets teeming with beggars, where politicians, in the name of progress, abuse the poor and the powerless. Dina, whose dreams of attending college ended when her father died, is now trying to support herself with seamstress work; Maneck, a tenderhearted boy, has been sent to college because the family business is failing; and the two tailors find work with Dina. Though the four survive encounters with various thugs and are saved from disaster by a quirky character known as the Beggarmaster, the times are not propitious for happiness. On a visit back home, Om and Ishvar are forcibly sterilized; Maneck, devastated by the murder of an activist classmate, goes abroad. But Dina and the tailors, who have learned "to maintain a fine balance between hope and despair," keep going. A sweeping story, in a thoroughly Indian setting, that combines Dickens's vivid sympathy for the poor with Solzhenitsyn's controlled outrage, celebrating both the resilience of the human spirit and the searing heartbreak of failed dreams. (Kirkus Reviews)
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