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Filth [DVD] [2013]

Price: £6.20 & FREE Delivery in the UK on orders over £10. Details
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Filth [DVD] [2013] + Irvine Welsh's Ecstasy [DVD] + The Acid House [DVD]
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Product details

  • Actors: James McAvoy, Imogen Poots, Iain De Caestecker
  • Directors: Jon S. Baird
  • Format: PAL
  • Language: English
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 18
  • Studio: Lions Gate Home Entertainment
  • DVD Release Date: 10 Feb 2014
  • Run Time: 94.00 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (151 customer reviews)
  • ASIN: B00FL31Q40
  • Amazon Bestsellers Rank: 1,367 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)


James McAvoy stars as a corrupt, sociopathic Edinburgh cop in director Jon S. Baird's fast-paced black comedy, adapted from the novel by Irvine Welsh. Bored with his duties as a Detective Sergeant in the Edinburgh police force, Bruce Robertson (McAvoy) gorges himself on a mixture of cocaine, alcohol, sexually abusive relationships and endless junk food, whilst plotting to get one over on his colleagues in his quest for a promotion. But although he nurses hopes of getting back together with his ex-wife Carole (Shauna MacDonald), Bruce soon finds his life spiralling out of control, when his drug addiction and unchecked psychological issues combine to test his grip on reality and push him over the edge.

Extra Content
Feature audio commentary with Writer/Director Jon S. Baird and Author Irvine Welsh
Deleted Scenes
Extended Scenes

Customer Reviews

3.8 out of 5 stars

Most Helpful Customer Reviews

39 of 41 people found the following review helpful By Scaroth, Last of the Jagaroth on 8 Oct 2013
Format: DVD
Described by critics as likely to leave its audience feeling soiled inside and out, this latest adaptation of an Irvine Welsh novel depicts a Scotland so seamy and sordid that the country's tourist board will be having many a collective sleepless night. Opening with the brutal kicking to death of an innocent Japanese student, the film quickly introduces its anti--hero, the thoroughly amoral and mind-bogglingly lecherous DS Bruce Robertson, in the form of an outstanding James McAvoy, oozing malice and corruption from every conceivable pore.

Alongside colleague and friend Ray Lennox - a wolfish Jamie Bell (if it's possible for such a monster to have a friend), Robertson snorts vasts quantities of cocaine, masturbates furiously in an agony of self-loathing (the latter symbolised by his seeing himself as a grunting, malicious sentient pig in regular hallucinations), physically and verbally abuses suspects, and at one point forces a fifteen year old schoolgirl to give him a blow-job. The despair and nihilism projected by this character is contextualised by his only other real `friend', the neurotic and bashful Clifford Blades, ably played by the naturally hangdog Eddie Marsan, who Bruce persistently and systematically tries to bring down to his level. As Bruce's superior, John Sessions provides quality support, as does Jim Broadbent as an increasingly deranged psychiatrist and the manifestation of the tapeworm that is steadily growing in Bruce's guts and which is contributing in no small part to his toxic personality.

I approached the film with some trepidation after reading of its stomach-churning tone and reprehensible characters, however it wasn't nearly as horrifying as I expected (or maybe I've been desensitised?!
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2 of 2 people found the following review helpful By K. Gordon TOP 500 REVIEWER on 27 Nov 2014
Format: Blu-ray
While it can't compete with "Trainspotting" for the best adaptation of an Irvine Welsh novel (and loses some points for feeling stylistically imitative of Boyle amazing film at times), it's still an enjoyable super-high energy romp through the muck of one cop's sick and twisted mind.

That messed up cop is played with verve and abandon by James McAvoy. McAvoy is joining actors of his generation like Christian Bale and Ryan Gosling who have the uncanny ability to disappear into wildly different characters seamlessly, and without a lot of `look at this character I created' theatrics.

The supporting cast is this blacker than black comedy of no manners is also terrific, with Eddie Marsan as McAvoy's hapless and meek one real friend standing out in a cast full of stand outs.

Jon Baird directs with so much manic energy the film keeps threatening to derail (and not every scene works, some hitting the metaphors and symbols way too on the nose). But Baird just manages to keep it together enough so that the wretched excess in this story of a detective who will stomp on everyone around himself in hopes of getting a promotion works as a sort of Brecht on acid character study, and not a student film gone wrong (though it gets close at moments).

Not the sort of film to see if you're feeling cranky and critical, but if you want to watch a young(ish) director and some excellent actors push the limits as they look inside the heart of darkness until you don't know whether to laugh or turn away, you could do a lot worse than "Filth".
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23 of 26 people found the following review helpful By DeclanCochran on 6 Oct 2013
Format: DVD
This film, whilst having occasional moments that are genuinely witty and funny, is not a comedy. This is a crucial distinction to make, as the trailers and posters are billing it as such. It is actually a very sad, honest and truthful film about a man, with a mental condition, having a complete breakdown.

The film begins with the unkempt and repellent Scottish Detective Sergeant Bruce Robertson (James McAvoy) informing us in one of the film's many fourth-wall-breaking episodes that he wants the new staff promotion that's in the running, and he is going to play each contender off each other so that he ends up with the title Inspector. So far, so In-Bruges-lite black comedy, with a very antiheroic antihero. But it's not long before Bruce has descended into a dark, Scottish vision of hell involving underage sex, copious drug use, tapeworms, Jim Broadbent with a huge head, and dirty phone-calls with the woman who played Moaning Myrtle, and the comedy is there no more.

And so the film goes on, and on, and by the end I found myself crying. At some point, the film became something tragic, and I found myself touched and saddened; this kind of thing happens every day, with people, and it isn't very funny at all. Bruce is trapped in a vicious cycle of behaviour that isn't really his fault, but is entirely his own making. He is horrible, abusive and violent to people, but all of a sudden something happens and he's in tears. He's standing on his best mate's glasses and trashing an art museum, but then, suddenly he's trying to save the life of a man in the street. You might argue that this is the film tonally pulling itself apart, but these patterns and behaviours are true to life.

In the end, the film does a very tricky thing.
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