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The Films of Alfred Hitchcock (Cambridge Film Classics)
 
 

The Films of Alfred Hitchcock (Cambridge Film Classics) (Paperback)

by David Sterritt (Author), Raymond Carney (Editor) "Hitchcock began his feature-directing career with The Pleasure Garden in 1927, a respectable, if not very exciting, debut effort ..." (more)
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Product Description

Review

"Of the more critical film-by-film analyses this volume by the astute Christian Science Monitor critic Sterritt is the most complete and thoughtful and doesn't get bogged down in film-school folderol." Knight Ridder News Service


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The introduction gives an overview of Hitchcock’s long career, with special attention to the varied influences on his work; themes that run through many of his films, from the ‘transference of guilt’, to the connection between knowledge and danger; the overlooked importance of his presence within his films, including his famous cameo appearances and characters who represent him within the story; his fascination with performance and the ambiguities of illusion and reality; the question of viewing him and his work through the auteur theory; and other issues. Also discussed is the relationship between Hitchcock as a serious, even tormented artist and Hitchcock as a magician with a weakness for cinematic practical jokes. Six chapters then provide in-depth examinations of key films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favourites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage look at the nature of evil; and The Birds, his last masterpiece and one of his most widely misunderstood works.

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Hitchcock began his feature-directing career with The Pleasure Garden in 1927, a respectable, if not very exciting, debut effort. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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