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Film language;: A semiotics of the cinema
  
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Film language;: A semiotics of the cinema [Unknown Binding]

Christian Metz


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Christian Metz
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First Sentence
In the days when the cinema was a novel and astonishing thing and its very existence seemed problematical, the literature of cinematography tended to be theoretical and fundamental. Read the first page
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Amazon.com:  5 reviews
12 of 15 people found the following review helpful
Semiotics in a New Realm 23 Mar 2000
By A Customer - Published on Amazon.com
Format:Paperback
This book is a collection of essays that Metz wrote regarding the semiotics of film. It uses semiotical terms that may be unfamiliar to many readers, but its worth the effort, for one will find some very interesting insights into the nature of film as a signifier. Especially interesting segments regarding the semiotics of the traditional Hollywood film.
5 of 8 people found the following review helpful
The True Pioneer in Film Theory 14 July 2005
By Lucretius Borges - Published on Amazon.com
Format:Paperback
Christian Metz's essays on film language are a milestone in semiotics and film analysis. If his terminology may be slightly hard to grasp immediately, it is because he is seeking clear and rigorously defined concepts, strongly grounded both in film practice and in structural linguistics. While structural lingusitics may no longer be a major reference in current intellectual discourse, Metz's book is indeed still extremely useful in understanding some key concepts of film, such as the "pro-filmic": what does an object become when it is standing in front of the camera? Abundant examples from French and American film generously help the reader (and it would be time to reprint and redistribute "Adieu, Philippine", which Metz thoroughly analyzes).
2 of 4 people found the following review helpful
Film Language Decoded 31 July 2007
By Deborah Kozdras - Published on Amazon.com
Format:Paperback
As a Ph.D. student in the field of new literacy studies, I have found Metz's book an invaluable aid. He provides theoretically grounded concepts that translate film components into "language".

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