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Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions) [Kindle Edition]

Steven Katz
4.6 out of 5 stars  See all reviews (27 customer reviews)

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Book Description

A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.

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Amazon Review

Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualise the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view and the various types of stable compositions and moving camera shots. --Jake Bond


"Now that you've got a couple of shorts under your belt, why not get a little more analytic? Steven Katz's book gives a great breakdown of the fundamentals of film directing. It's not something you might want to start off by reading, but once you are ready to have your films take that next step this should be number one on your to do list. Katz breaks down film language for you so that you can learn how to speak it in your own way." -

Product details

  • Format: Kindle Edition
  • File Size: 10150 KB
  • Print Length: 366 pages
  • Publisher: Michael Wiese Productions; 1 edition (6 April 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B00570IROE
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Enhanced Typesetting: Not Enabled
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (27 customer reviews)
  • Amazon Bestsellers Rank: #278,174 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Most Helpful Customer Reviews
47 of 48 people found the following review helpful
5.0 out of 5 stars NFTS 20 Nov. 1999
By A Customer
Shot-by-Shot is a compilation of essential mise-en-scene basics for film directors and cinematographers. At first glance, much of the information is obvious to anyone with basic directing experience, but the apparent simplicity is deceiving. As a tutor at the National Film and Television School, I have found it useful for advanced apprentice filmmakers--if you have imagination, it will help you prepare for making decisions about staging, camera position and crossing the line.
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35 of 36 people found the following review helpful
5.0 out of 5 stars Solid training in film visualisation 26 April 2004
If you are a casual reader looking for a glossy book with colour photo'sof film sets, lighting, SFX and cameras etc, this is not for you. Ifhowever, you are a serious film student (or practitioner) and you want adetailed insight into how a motion picture idea is conceived and developedinto a workable project, then you need to make this part of your readinglist.
This is a thorough overview of the visualisation processes needed to takeyour project from an idea to a solid plan for production. As well ashelping you to develop your visualisation skills, it also has a goodtechnical overview of important techniques such as establishing lines,continuity, pacing etc.
There are examples (with original storyboard art) taken from someprominent films and directors to help you understand the reasoning behindthe way certain scenes were designed and executed.
The intangible or emotive aspects of creating a film are well covered...i.e. using camera angles and different focal lengths and POV's for helpingto describe the relationships between characters and what they are feelingor experiencing.
This is not a technical manual for lighting or how to use certain types ofcameras etc. These subjects are best covered in detail in seperatepublications.
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41 of 43 people found the following review helpful
By A Customer
When I entered college to recieve a bachelor's degree, I wasn't quite sure what I wanted to do. I ended up choosing a degree in acting, but have since wondered if that was the wrong choice. In the last year of college, I became interested in film direction, but felt it was to late to pursue that career. Mr. Katz's book has changed my mind. In less than one week, I learned more about the technique of film direction than I ever learned in numerous film, and television classes. This book was easy to read, yet not easy in subject matter. It challenges the reader to visualize the subject matter, and to work out common problems in his/her head. It uses an extensive study of soryboarding from both classic and fictional films to easily illustrate his technique. Although Mr Katz uses a pretty set theory of film mechanics, he does challenge the reader to experiment and to create new and exciting art. This book is a must for beginners in the film industry, and I have a hunch that advanced artists could learn a lot from it too.
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22 of 23 people found the following review helpful
By A Customer
Film Directing Shot by Shot is a step back from the filmmaker's lens. This book is a praise of preplanning shots and putting them together in the filmmaker's head. Steven D. Katz has presented a great resource not laden with hard technical terminology limited to the professional.
Katz explores the graphic design of a shot, presenting alternate examples of shot layout side by side. The author encourages seeing shots on the storyboard and how they play together, seeing the movie as static pictures before any film is spent. As he explains: "look at each sequence as a complete statement. Developing an intuitive sense of the overall perceptual effect of a sequence is one of the skills necessary for visualization." (pp 160) He offers traditional process but encourages experimental methods where appropriate.
I was pointed toward the book as an art professional interested in filmmaking. Having read other film preproduction books this has been the best so far.
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7 of 7 people found the following review helpful
5.0 out of 5 stars Buy this book 6 Mar. 2006
By A Customer
This book is one of many I have read on film making. I am a self taught independent professional film maker and I wish I had bought this book first. It's title says it all. It is very well written, well researched, worth the money. Get 'Grammer of the Shot' while you are at it.
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15 of 16 people found the following review helpful
5.0 out of 5 stars A Brilliant Book 16 Feb. 2004
This catologue of filmmaking terms has become one of the best books I own. When I recieved it as a gift at Christmas, I thought I'd read a chapter before I went to bed but ended up reading for hours into the morning. An excellent guide for arranging camera angles, storyboards and shot sequences alike.
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3 of 3 people found the following review helpful
3.0 out of 5 stars Some useful bits, but rather outdated 6 July 2011
Not a bad book, but could do with a new edition. As this was written in the 90's there are some large chunks of info regarding the use of computers for editing/visual effects/story boarding that are almost cringe worthy.

On the plus side, many of the techniques talked about are timeless, I definitely learned a few things while reading it, and began to consider other things which I thought I already knew - which is always a good sign. I gained a better understanding of looking at a number of shots in sequence and working out their effect. It is nicely illustrated; personally I think some of the story boards are worth the admission price alone; and gives a good overall view of the roll of the director. However, I feel that it only brushed the surface on the some subjects that interested me, and went into detail on other areas that I found less interesting (thought this is obviously personal taste.)

In short, I don't think this is the best book on directing out there, but it is certainly not bad.
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Most Recent Customer Reviews
4.0 out of 5 stars Happy Customer
Arrived in good shape, happy customer
Published 8 months ago by Tamazon_1
5.0 out of 5 stars Five Stars
Good level of detail.
Published 8 months ago by Guntherus
5.0 out of 5 stars Five Stars
Interesting book and great price.
Published 10 months ago by BA Page
5.0 out of 5 stars Five Stars
Product as described, fast delivery. Thanks
Published 10 months ago by Valdemaras Bunkus
5.0 out of 5 stars Five Stars
Very good
Published 10 months ago by mrs c l woodard
5.0 out of 5 stars It is an old book but the principles of shot ...
It is an old book but the principles of shot visualising and shot composition have not and will not change. I found this book immensley helpful. Read more
Published 10 months ago by bonefish69
5.0 out of 5 stars was a very nice buy, a new one latest print
3 times cheaper than in my country! was a very nice buy, a new one latest print, it's like a bible for next few months!!
Published 13 months ago by Tiago
5.0 out of 5 stars Keep it with you
I swear by this book, and have bought it as a gift, many, many times. I've read it cover to cover but generally use it as a reference manual. Read more
Published 17 months ago by Martyn Chalk
4.0 out of 5 stars interesting
Nice way to see how concepts are put into frame. Quite technical with its attempt to justify variations on its own theme and how different situations require different view points... Read more
Published 18 months ago by R. Gray
4.0 out of 5 stars very good
clear and easy to use this book is a good tool to learn as you go event while working on your first project
Published 21 months ago by GILBERTE GOMIS
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