Although superficially a sentimental musical, Fiddler’s enduring popularity rests on its timeless representation of the conflict between the internal cohesion of community and tradition, and the external forces of ethnic strife and progress. It is also impossible to watch it without bringing away some understanding of the Jewish condition, whatever your views on present-day Israel.
Topol strides like a magnetic giant through the film, in the role with which he has become synonymous, bouncing off a strong supporting international cast. Watch out for Michael Glaser in a non-singing role, his ‘Starsky and Hutch’ days still to come. The village of Anatevka was beautifully recreated in minuscule detail by set designers in Yugoslavia, and succeeds in transferring this stage play to the screen believably.
The DVD commentary by Topol and director Norman Jewison provide a fascinating insight into the research that went into making the film look and feel authentic. Anecdotes also reveal, amongst other things, how make-up artists laboured to age the 35-year-old Topol, the real reason for his passionate expression during the ‘Rich Man’ song, how they managed to keep ‘God’ in place between shots and what happened to Tevye’s horse after the production was finished.