- Hardcover
- Publisher: Cemetery Dance Pubns; Limited edition (Jun 2003)
- Language English
- ISBN-10: 1587670577
- ISBN-13: 978-1587670572
- Product Dimensions: 23.1 x 15.5 x 3 cm
- Amazon Bestsellers Rank: 3,335,069 in Books (See Top 100 in Books)
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When David pays Janine a condolence call, the spark of passion and love reignites in both their hearts. They start going out together but they are both haunted by otherworldly manifestations. David is almost killed in a car accident and the driver of the car is a student who was killed more than a year ago. A stranger kills Spencer, who had been stalking Janine. THE FERRYMAN will not let anyone or anything to keep him from obtaining what he wants: Janine.
Once in a very long while, a horror novel will come along that is so believable and frightening that it will live on in the reader's mind forevermore. THE STAND and THE EXORCIST were such books and so too is THE FERRYMAN. Christopher Golden is a talented writer who makes the audience give credence to events in his novel as if they occurred in the real world.
Harriet Klausner
This book is more "adult" in theme, and therein lies the problem. Mr. Golden has shown genius in writing about the pain & wonder of childhood, and the echoes that result down through the generations as a result. There are elements of this in Ferryman, but most of the book concerns the lives and actions of as unsympathetic, self absorbed, even cartoonish a trio of lead protagonists as I can ever remember reading about.
This book agravated a few of my pet peeves, I'll admit. It's very strongly set in a old money New England world that this Californian finds less appealing that the author seems to. I think a token Republican at a party is the closest thing to an ethnic reference in the entire book. It makes a big deal of the homosexuality of a main character, yet never seems to realize that gay relationships are more than sexual. Only villains show any growth or ability to rise above their situation in 'life'. There is some confusion even as to who is, or whether this book has, a main character. The contrast between the Villain's motivation and choice of tools are the main source of this confusion, I think. Maybe I'm just over thinking it.
I wanted to like this book, and there is good stuff in it. Mr. Golden does a bang up job as always in describing the supernatural horrors and in weaving them into the book in a gradual, insidious way. He pulls no punches on bodycount, or who gets killed. At all.
Good stuff. I just wish I hadn't been rooting for the death of the protagonists there at the end.