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| 1. Love Me |
| 2. Virginia Moon (feat. Norah Jones) |
| 3. Turn Them (feat. Norah Jones) |
| 4. Baby It's Cold Outside (feat. Norah Jones) |
| 5. Bull Rider (feat. Sasha Dobson) (iTunes Original) |
| 6. Ruler Of My Heart (feat. Norah Jones) |
| 7. The Best Part |
| 8. Take Off Your Cool (feat. Norah Jones) |
| 9. Life Is Better (feat. Norah Jones) |
| 10. Soon The New Day (feat. Norah Jones) |
| 11. Little Lou, Ugly Jack, Prophet John (feat. Norah Jones) |
| 12. Here We Go Again |
| 13. Loretta (Live 2004) |
| 14. Dear John (feat. Norah Jones) |
| 15. Creepin' In (feat. Dolly Parton) |
| 16. Court & Spark (feat. Norah Jones) |
| 17. More Than This (feat. Norah Jones) |
| 18. Blue Bayou (feat. M. Ward) (Live in Austin) |
Review At its worst, the collection feels predictable. Virginia Moon, a duet with Foo Fighters, can’t go down as Jones’ fault, fortunately – blame lies squarely with Dave Grohl, who leaves nothing for Jones to do, a mere backing vocalist on an under-written and sickly ballad. You can almost hear Grohl’s eyebrows arching in a tasteful wince. Similarly, Willie Nelson and Jones’ take on Baby It’s Cold Outside is deeply unattractive, and no amount of plinking piano can save it from being a complete turn-off.
Peppered across the record are uninspiring jazzy ballads, what you might call ‘stock’ for Jones. However, as we’ve established, there are some super surprises for those who might not have gotten past Come Away with Me. Take Off Your Cool is a blissfully meandering acoustic work that brilliantly pits Jones against Andre 3000 of OutKast, a luxurious song that sounds haunting when removed from the context of the latter’s The Love Below record.
Furthermore, the superb pairing of Jones with Belle and Sebastian yields the strongest result on the whole record. Little Lou, Ugly Jack, Prophet John is a proper, adult pop song that shows Jones having a ball with lines like "can I see what’s underneath your bed", and "can I stay until the milkman’s working". The virtue has to lie mostly with the Scottish legends, but Jones brings such depth to the recording that it seems impossible to imagine it without her.
It’s fair to say that for every misstep there’s an unexpectedly winning duet, but not enough of Jones’ maturity is brought to the fore. There’s too much inoffensive filler that doesn’t do her justice, and it’s indisputable that it would’ve been a stronger release had it been pruned of several songs.
--Daniel Ross
Find more music at the BBC This link will take you off Amazon in a new window
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